《三言》与戏曲关系研究-戏剧戏曲学专业论文.docx

中文摘要 中文摘要 I I 本文共分五个部分对《三言》与戏曲关系进行考察研究。 “绪论”是关于《三言》与戏曲关系研究综述。这部分在掌握大量资料的基 础上，对前人的研究进行梳理，从《三言》的戏曲来源、《三言》对后世戏曲的 影响以及两者在体制、创作手法上的关系三个方面对现有的研究成果进行分类。 第一章是关于《三言》与元杂剧、明清传奇同题材作品的考述。本章参阅了 大量有关《三言》来源与影响的资料，依据这些资料，对《三言》之前产生的同 题材戏曲作品与之后受其影响创作的戏曲作品进行了整理。通过列表的方式直观 地展现《三言》与戏曲作品在历史时间上的延续性。 第二章是关于《三言》对元杂剧同题材的发展。本章以三部《三言》作品与 同题材的元杂剧作品相比较，从人物形象、情节结构、主题思想三个方面揭示《三 言》对同题材元杂剧的发展。通过作品的微观比较，折射出时代背景、文体体裁 对同题材作品的不同影响。 第三章是关于明清传奇对《三言》同题材的改编。本章是上一章的后续，将 文学研究与思想文化研究相结合，从内容和形式两方面着手，比较明清传奇和《三 言》的同题材作品。通过十几部传奇作品与《三言》作品的个案比较，揭示改编 过程中时代、文体等多种因素影响而导致的创作手法、审美意味的变化。 第四章是从《三言》看小说戏曲对同题材表现的差异。本章是建立在前三章 感性认识上的一个理性概括。从主题、形象、手法三个方面入手揭示小说戏曲表 现同题材的差异，将《三言》与元杂剧、明清传奇的关系上升到小说与戏曲的高 度，从宏观上体认两者的关系。 关键词：《三言》 元杂剧 明清传奇 A Abstract II II This paper is divided into five parts which study the relation between “san yan” and the drama. The first part is the introduction of the summary about the study of the relation between “san yan” and the opera.It is on the basis of mastering a great deal of information.On the one hand,it is the finishing of the previous studies; on the other hand,it is the categories of existing research results,which is from the opera source of “san yan”、the impact to the future generations opera and the relation of their system between and creative approach. The second part is the arrangement of the similar work on yuan za ju and mingqing chuan qi.This part consults a great deal of materials relating to the origin and the effect of san yan. Based on these data, the three words before the opera with the theme affected by after work and the creation of the opera works were finishing. Intuitive way through the list to show the three words and the opera in the works on the continuity of historical time. The third part is on the quot;three wordsquot; of the Yuan Dynasty with the theme of development. 3 of this chapter to the quot;three words,quot; and works with the theme of works of the Yuan Dynasty, from the characters, plot structure and theme of the three revealed in the quot;three words,quot; with the