中西诗学“空白”观比较分析-comparative analysis of.docxVIP

II II Abstract In both Western and Chinese literature theories, the term Blank widely exists and forms a unique blank conception. “Blank” in Chinese poetic literature theory was established at the basis of traditional philosophy, it was ambiguous, free flowing and unlimited transcendentalism. Blank had a close contact with the category of Artistic conception and Hidden Beauties and it was wide applied in Chinese traditional poetry, painting, and other artistic area, and run through the whole arts creation and appreciation process. “Blank” reflected the objectively omitted and skills in arts, especially it pursue of the life realm.Blank in Western literature theory was relatively well defined , It was mainly exist in narrative theory, particularly in the theory of fiction, Hemingway formed the Iceberg theory; In his creation was pointed out clearly, while writing; the author should omit the part that readers was well familiar , Just to describe the one-eighth on the floating surface of iceberg . Ingarden firstly introduced “Blank” into Western art theory. Iser developed Ingardens relevant discussions, formed a system of Blank theory, this kind of Blank seemed had act as a promoter between The article-reader‘s interaction. The View point of western poetics in Blank, rooted in their cultural background, , but it has a lot things in common, for example, in the west that Blank was emotional involved , At the same time which reflects the authors recognized world and the dimensions can be expressed. Of course, because of variety in their respective cultures backgrounds, Different ways of thinking, Chinese and Western’s “Blank view are more represents a difference. On the connotation of Chinas Blank was vague and infinite, Western Blank is clearly limited; On the function part , Chinese Blank is more of a search for vacant state, while the Western seems like a text structure, as the dynamic regulator, Which balance of their text and the reader in the process of reading; On