安徽花鼓灯艺术的发展轨迹与传承研究-音乐学专业论文.docxVIP

I 中文摘要 花鼓灯艺术是汉族民间歌舞艺术的典型代表，主要分布在淮河中游一代，不 仅在安徽颍上、凤台、怀远及凤阳一带广为流行，而且与周边地区诸如山西万荣 花鼓、浙江上盘花鼓等民间艺术密切相关，互相联系。安徽花鼓灯艺术与周边地 区流传的花鼓艺术虽然同为汉族民间艺术的典型代表，甚至有同宗一脉之说，但 是在曲调、结构和表演程式等方面却各具特点，颇为不同。这一现象不仅体现了 花鼓灯艺术内涵的丰富和多样性，而且大大提高了它自身的研究价值和笔者对其 研究的兴趣。笔者认为，无论是近半个世纪来学术界对花鼓灯发展历程的追溯与 探讨，还是其自身艺术形态的现状，都与中国社会环境的发展与变革息息相关。 本文即是在田野调查与资料分析的基础之上，运用多视角多学科的理论和方法对 皖花鼓灯艺术的生存环境、传承特点、传承渠道、传承现状和其自身与周边地区 花鼓艺术的联系进行初步研究。 全文除绪论与结语外，正文共分为六大部分，其内容如下： 绪论部分提出本文的研究缘起、对象、目的、研究综述、理论视角及其研究 方法与意义。 第二部分对安徽花鼓灯分布地区的地理位置、生态环境进行考察以揭示其自 身与这两大因素之间的互动关系。 第三部分从曲式结构、曲调、唱词内容及其来源、乐器、节奏和表演程式方 面对安徽花鼓灯艺术进行简要的论述 第四部分对安徽花鼓灯艺术传承渠道、传承特点、传承现状与两大流派进行 论述。 第五部分对皖花鼓灯与周边地区民间艺术的相互滋养和比较研究进行了深 入浅出的论述。 第六部分主要从文化人类学的角度来剖析安徽花鼓灯的当代处境，指出安徽 花鼓灯的存在价值（科学价值、文化价值、历史价值、艺术价值），从而依据上 述情况，进一步提出相应保护措施与传承方法。 关键词：花鼓灯艺术；传承状况；传承现状；凤阳花鼓 II ABSTRACT Flower-drum lanterns art is the han nationality folk dance art typical representative of the huaihe river, mainly distributed in middle generation, not only in anhui ying, chicken platform, conceived far and fengyang, and popular area and its surrounding areas such as shanxi WanRong HuaGu, zhejiang upper plate HuaGu folk art, such as closely related with each other. Anhui flower-drum lanterns art and surrounding areas HuaGu spread of art with the han folk art though the typical representative of, or even their father said, but of a pulse in tune, structure and performance program etc with different characteristics, but quite different. This phenomenon not only embodies the art of the rich connotation flower-drum lanterns and diversity, but also greatly improve the its own research value and the author on the study of interest. The writer think, in almost half a century to academic circles to flower-drum lanterns development course and studies, or back its own art form, and the present situation of Chinese social environment of development and change is closely linked. This paper that is in the field investigation and data analysis based on the use of multidisciplinary perspective theory and methods of anhui flower-drum lan