多尼采蒂《爱的甘醇》中内莫里诺的角色塑造与演唱分析-音乐表演(声乐演唱)专业论文.docxVIP

西安音乐学院硕士论文 摘 要 万方数据 万方数据 摘 要 盖塔诺·多尼采蒂（Gaetano Donizetti,1797—1848 年）是早期浪漫主义时期意大 利美声乐派的重要作曲家，他与罗西尼（G·Rossini）、贝利尼(V·Bellini)并称为“意 大利美声乐派”三巨头，他们也是复兴意大利歌剧英雄式人物。多尼采蒂的创作除了弥 撒、清唱剧、康塔塔等宗教作品及部分钢琴与室内乐作品外，他的主要创作领域以歌剧 为主。他以写作速度极快、产量高著称，他写作各种内型的歌剧，共计 70 多部。1832 年 5 月 12 日，多尼采蒂的喜歌剧《爱的甘醇》（L’Elisir d’Amore）在米兰的卡诺比 亚纳歌剧院首演，获得极大成功。这是一部具有典型意义的意大利喜歌剧，剧情幽默诙 谐，旋律轻松自然，精致流畅，充满着欢乐喜剧的效果。这部作品后来成为最受广大人 民群众喜欢的喜歌剧之一。 本文基于多尼采蒂《爱的甘醇》的创作背景以及他的艺术创作特点基础上，主要从这 个角色所涉及的经典咏叹调和二重唱中，采用理论联系实际，宏观把握与微观分析相结 合的方式，对《爱的甘醇》中男主角内莫里诺这个角色形象的性格特征进行诠释，并且 结合个人演唱谈点自身对作品二度创作的一些体会与感受，加深对作品的理解，从而提 高自身的表现能力。 关键词：多尼采蒂； 歌剧；爱的甘醇； 男高音； 咏叹调 ； 二重唱 I 西安音乐学院硕士论文 西安音乐学院硕士论文 Abstract Abstract Gaetano Donizetti (Gaetano Donizetti, 1797-1848) was an early Romantic period Italy and the United States to send an important composer of vocal music, he and Rossini (G · Rossini), Bellini (V · Bellini) and called Italy art school” Big Three, they are also the revival of Italian opera heroic figure. Donizettis creation in addition to Mass, oratorios, cantatas and other religious works and some piano and chamber works, his main creative fields in opera based. His writing for fast, high yield known for his various internal type of opera writing, a total of more than 70. May 12, 1832, Donizettis comic opera Love glycol (LElisir dAmore) in Milan Kano viana Opera debut, was a great success. This is a typical aspects of Italian comic opera, drama humor, melody relaxed, refined and smooth, full of joy comic effect. This work later became one of the most popular comic opera of the masses like it. Based Donizetti Love glycol creative background, and his art, based on the characteristics of the main characters involved in this classic arias and duets, the use of theory and practice, macroscopic and microscopic analysis of a combination of of personality traits Love glycol in the image of the actor Neimolinuo interpret this role, and combined concert talk a second creation of the work itself some experience and feelings deepen understand