从纪录片《中国》论安东尼奥尼的纪实风格-文学、广播电视艺术学专业论文.docxVIP

Classified Index：J911 U.D.C.: 791.43 A Dissertation for the Master Degree in Arts READ MICHELANGELO ANTONIONI’S REALISTIC STYLE FROM DOCUMENTARY FILM MICHELANGELO ANTONIONIS CHINA Candi Candidate： Sun Bainan Supervisor： Prof. Bao Yuh Academic Degree Applied for： Master of Art Specialty： Broadcasting Affiliation： Department o Date of Defence： June, 2008 Degree-Conferring-Institution： Harbin Institu and Television Art f New Media and Art te of Technology 摘 要 电影的记录本性使得无论在纪录片领域还是故事片领域，对电影纪实风 格的探索及研究一直经久不衰。文章以意大利电影导演安东尼奥尼的纪录片 《中国》为研究对象，通过对这部影片的创作背景、拍摄内容以及镜头语言 等方面的分析，在解读安东尼奥尼纪实风格的同时探讨为何这部影片会在当 时的中国引起巨大争议，最终通过对中西方意识形态、美学差异的分析，给 这部纪录片以历史的、全面的评价。 本文主要采用了文献分析、文本分析以及比较分析的研究方法，在深入 分析了一位世界级电影导演在文革时期的中国是怎样工作并且拍摄出他心目 中“中国”的同时，将安东尼奥尼的纪实风格与历史上经典纪实美学流派进 行了比较研究，通过对比阐释安东尼奥尼独特的纪实美学风格，进而在美学 的层面上理解《中国》的艺术价值，并最终从哲学意义的层面上对安东尼奥 尼的纪实语境体系进行了定性分析和总结。 在国内外对安东尼奥尼的分析研究中，少有文章专门论述安东尼奥尼的 纪实风格，本文在对安东尼奥尼及其纪录片《中国》进行系统分析的同时， 从纪实风格的角度对安东尼奥尼在纪录片《中国》中的导演艺术和导演风格 进行了读解，并且尝试从美学及哲学的高度上去解释他这一风格的独特性， 对于今后的理论研究和实际创作，都有一定的借鉴意义。 关键词 安东尼奥尼；纪录片；《中国》；纪实风格 Abstract As film’s nature, record has always been studied no matter in narrative movies or documentary films. This paper pulls Michelangelo Antonioni’s Documentary film Michelangelo Antonionis China for research object, on base of analyzing this film’s creation backgrounds, photography contents, lens languages and other aspects, to read Antonioni’s realistic style as while as to explain why this film had been so criticized by Chinese Government when it was released in 1970s, and at last give this film a fair appraisal through comparing the ideology and film aesthetics between China and Western countries. For reaching its goal, three methods are being used in this paper, they are the Literature research methods, Content analysis and Comparison analysis. It starts with summarize Michelangelo Antonioni’s film realistic style and the backgrounds of this documentary. Then deeply analyzes as a world-class director how did Michelangelo Antonioni work with this film when