从生态批评的角度解读《与狼共舞》-英语语言文学专业论文.docxVIP

隐喻和象征的使用等方面对该影片进行研究。虽然有少数几位学者的研究涉及了生态理 论，但不够系统和深刻，并且几乎没有学者从自然生态、社会生态和精神生态这三个方面 进行解读。本研究为弥补这一空缺，将从以上三个方面解读本影片。本章其次是综述生态 批评理论的发展及自然生态、社会生态和精神生态的基本观点。 第三章从自然生态的角度分析了影片中人和自然的关系。古老的印第安人尊重自然、 敬畏自然并且与自然和谐共存，而白人对美国西部草原自然资源却任意地掠夺和践踏，这 种强烈的对比暗示现代人要像印第安人那样和自然共存，体现了导演呼吁人类尊重自然和 自然和谐共处的思想。 第四章从社会生态学的角度阐述影片中失衡的白人社会生态和和谐的印第安部落。社 会等级的存在和无休止的欲望是白人社会生态失衡的关键。在生态失衡的社会中，人们之 间关系冷淡，缺乏真诚的交流和关爱。印第安部落的情况却恰恰与之相反。电影对苏族人 和谐生活的描写体现了尊重自然，与自然和谐共处的价值。 第五章从精神生态的角度分析了影片中白人自我的迷失和自然的治愈力量。欲望的驱 使和战争的摧残使影片中的白人完全迷失自我，但有生态意识的约翰·邓巴通过回归自然 重新找到了自我，因此自然对人类的精神有治愈力量，体现了自然的强大治愈力量和回归 自然的重要性。 第六章是结论部分。本章总结了全文的研究过程及观点，探讨了本研究的理论及现实 意义，指出了本研究的不足之处并且展望了本课题今后的发展方向。 关键词：《与狼共舞》；自然生态；社会生态; 精神生态 Abstract Adapted from Michael Blake’s novel with the same name, Dances with Wolves is starred and is put on screen in 1990. With the process of John Dunbar getting along with the Sioux as its main clue, the film stars Indians who have been neglected and defamed by the western films before, and reappears Indians who really they are and miserable fate which are little-known by the audience. The film gets great success after being released, winning seven awards on the 68th Oscar and making the western films in trough get a new high-point. So the film is regarded as an important turning point in the history of western films development. It describes white mans exploitation and damaging to nature, the alienation of modern society, the losing of modern mans spiritual world and Siouxs happy and harmonious life. Ecocriticism is to study the relationship between literature and environment. Ecocritics appeal to people for respecting and loving nature, and living harmoniously with other creatures. The ecological critic, Lu Shuyuan divides Ecological theory into three branches: Natural Ecology, Social Ecology and Spiritual Ecology according to trichotomy. By employing the three ecological views, the thesis is an analysis of American Hollywood’s director Kevin Costner’s film Dances with Wolves. It intends to compare and demonstrate na