弹奏管弦乐谱改编成钢琴乐谱之基本概念.PDFVIP

彈奏管弦樂譜改編成鋼琴樂譜之基本概念 彈奏管弦樂譜改編成鋼琴樂譜之基本概念 李燕宜 國立臺灣師範大學表演藝術研究所專任助理教授 摘要 在鋼琴合作的領域中，以大多數樂曲來說，鋼琴所彈奏的部分皆是專門為其 而作，如各器樂奏鳴曲、室內樂曲及藝術歌曲等作品。但在現實生活中的演出 、 排練現場裡，無論是彩排、個別課或音樂會，鋼琴合作者經常被要求彈奏大量「管 1 弦樂改編成鋼琴譜」的作品，例如：協奏曲、歌劇、神劇及清唱劇等原本以管弦 樂語法所譜寫的樂曲，鋼琴合作者所演奏的樂段是以鋼琴代替原有的管弦樂演奏 部分，並非專門為鋼琴來寫作。然而 ，實際上的改編樂譜在彈奏時，存在許多不 吻合鋼琴之特性及功能的侷限 ，有時改編的樂譜過於複雜而無法實際彈奏，或過 於簡化而無法確切地表達樂曲之原味，在聲響上和實際樂團演奏效果有極大出入。 本篇文章將針對當鋼琴合作者在彈奏此類型之作品時 ，應有的自我預備功課 ，及 如何將此類型樂譜實行增刪 、簡化和改編等提出建議 。 關鍵詞: 、簡化、改編、管弦樂 、鋼琴合作 1 英文為Piano Reduction 或是 Orchestral Reduction 。 1 Journal of Arts 2014, 5(2), 1-42 The Basic Concept of Playing Orchestral Reduction/Piano Reduction Yen-I Lee Assistant Professor Graduate Institute of Performing Arts, National Taiwan Normal University Abstract In the collaborative piano field, the majority music is written specifically for piano, such as instrumental sonatas, chamber music, art songs and other works. But in real life whether it is a rehearsal, concert or an individual lesson, collaborative pianists are often asked to play a lot of orchestral works, such as concertos, operas, oratorios and cantatas and other syntax originally composed for orchestra not for piano. While playing, we will discover there are many places in the piano reductions/ orchestra reductions are too complex to be played due to the piano’s function limitations. However, sometimes we also can find the reductions are too simple to express exactly the flavor of music, and the sound effects have great discrepancy from the actual orchest