甘肃清水宋(金)墓画像砖造型艺术研究-美术学专业论文.docxVIP

陈彦平：甘肃清水宋( 陈彦平：甘肃清水宋(金)墓画像砖造型艺术研究 PAGE PAGE 4 摘要 画像砖艺术是我国民间艺术的重要组成部分，是特殊历史条件下的产物。它 源自于民间，体现了我国劳动人民的智慧和才能，凝结了他们淳朴的思想情感和 对美好生活的向往之情，具有很高的文化价值和艺术价值。 画像砖艺术早在汉代就已经发展到了高峰。到了宋代，画像砖以一种独特的 艺术表现形式，给人以一种新的审美感受。甘肃清水县是宋（金）时期画像砖的 集中出土地之一。自二十世纪七十年代前后在清水县境内发现墓葬画像砖以来， 已经出土各类画像砖 1000 余件。 清水宋（金）墓画像砖内容相当丰富。有反映中国传统孝道故事的“二十四 孝”图，也有一些反映现实生活如舂米、推磨、打柴等的题材内容以及一些动植 物图案等。 在制作技法上，清水宋（金）墓画像砖跟甘肃宋（金）时期其它地区出土的 画像砖一样，大部分是模制，也有一些是刻制而成。版面图形以阳纹为主，也有 阴阳纹相结合的。 在造型风格上，清水宋（金）墓画像砖造型夸张，人物体态丰满、笨拙而朴 实，形象而准确地刻画出了人物的性格特征，以毫无拘束的写意风格表现出了独 特的地域特色和浓厚的乡土气息。 关键词：清水 宋（金）墓 画像砖 造型艺术 英文摘要 Art of portrayal bricks are an important component of the special product of historical conditions in folk art of our country. It originated from the public, reflects the work of our intelligence and talent of the people, the simple condensation of their thought and feelings of longing for a better life for love, have a high cultural value and artistic value. Art of portrayal bricks have been to the peak early in the development of the Han Dynasty. To the Song Dynasty, brick-portrait as a unique form of artistic expression, giving a new aesthetic feel. Qingshui County in Gansu . Province is one of the concentration of land about the Song (Jin) portrait of brick, Since the seventies the twentieth century in the water before and after the county found that since the brick tomb portraits, portraits bricks of all kinds have emerged more than 1,000 pieces. The contents of the tomb of a rich portrait of bricks in Qingshui Song (Jin), Has reflected the story of traditional Chinese filial piety Twenty And Four Mourning map, there is also some reflection of real life, such as pounding rice, push a grinder, firewood, etc., as well as a number of topics such as animal and plant patterns. On the production techniques, portrait brick tomb in Gansu Song (Jin) as the same as the other parts of the portrait of brick, most are molded, there are also some which were from lithography. Graphical layout in order to Yang Lines-oriented, there is also a com