高启诗歌研究-中国古代文学专业论文.docxVIP

中文摘要关键词： 中文摘要 关键词： 高启 元末明初 吴中 文人意识 意象 拟古主情 作为我国元末明初诗歌的代表，高启的出现，代表了彼时彼地某种新质素的 产生。他的诗歌不仅有较高的艺术价值，更同元末和整个明代的诗歌发展有不可 分割的内在联系。如清代著名学者赵翼《瓯北诗话》中称赞说“青丘才气超迈， 音节响亮，宗法唐人，而自运胸臆。一出笔即有博大昌明气象，亦关有明一代文 运，论者推为明初诗人第一，信不虚也”。 本文首先分析了高启所处的元末明初的大变革时代和吴中地域的特殊环境， 从人文氛围和诗歌风气的转化出发，来阐释高启诗歌和性格中与时代相应的新元 素，和这种元素产生的历史与地域背景。 其次，以高启诗歌中鲜明的文人意识为核心，本文从出仕和归隐的矛盾、孤 独和自适的统一、为艺术的诗歌等三个角度来阐释这一意识对高启的意义所在。 高启身上凸显的对自我的觉醒与追求是他的诗歌中最为明显的特质，在这一层 面，诗歌和诗人是融为一体的。 接下来，和高启这种与众不同的思想与艺术观念相联系，本文围绕高启诗歌 意象这一形式核心，以“雁”和“雨”意象为例，来分析高启诗歌的艺术文本。 “雁”同时展示了高启诗歌中渴求飞翔的特质和无法摆脱的孤独感，“雨”则体 现了高启诗心和诗情所在：浓郁的乡愁和企盼宁静的心灵。 最后，本文从高启拟古的特色——精神意象，高启对“主情”的重视，来论 述其诗歌在文学史上的地位与特色，尤其是希望能够阐释清楚：高启如何在拟古 这一充满风险的艺术创作道路上取得成功，又如何在情感论中树立一席之地、并 深刻影响了明代吴中诗风。 AbstractKeyword： Abstract Keyword： Kao Chi the epoch between the end of Yuan and the start of Ming dynasty Wu region Literator consciousness imago classicize affectivity As the representation of poet in the epoch between the end of Yuan and the start of Ming dynasty,Kao Chi stood for some new poetry factors in the time and the place． His poetD．not only possessed excellent art value，but have influenced deeply the poetry development ofthe end ofYuan dynasty and the whole Ming dynasty． Zhao yi，the famous Scholar ofthe Qing dynasty,acclaimed in his poetry critique， that Kao Chi had splendid talent and harmonic rhyttun about poetry Kao also classicized Tang poetry while create some classic all by himseI￡So illS works had great verve and related to literature fortune of the whole Ming dynasty．It’S very proper that critics all put up him as the first poet in the Ming d)qaasty． At first，the thesis analyzes the transfomfing time and special terrain circumstances of Kao Chi．At the view of culture atmosphere and poetry fashion，we expatiate all kinds ofnew element in Kao’S poem that keep corresponding connection with the time．Moreover,we also introduce the history and the terrain background of it．Secondly,the thesis discusses titerator consciousness， the kernel of Kao．The kernel includes conflicts about office，the unificatio