试论《哈罗尔德在意大利》的艺术风格和历史价值-音乐与舞蹈学专业论文.docxVIP

Abst Abst ract Berl ioz， 19th century France has the most representat ive of the romantic composer，conductor and music critic，but also in the history of western music the most controversial musicians．The life and music of Berlioz，existing full and accurate data，he himsel f al so left numerous art icles on the mem01r，1etters，11terature and crltlclsm works．for 1ater analysis．On this basis，the author col late the relevant information and l iterature，the music，as the main research object． This paper wi l l be divided into five chapters，there are introduction，after the conclusion．The first chapter mainly introduces the l i fe of Berl ioz hi story and SOC ial environment of the creation influence．The author will be divided into three aspects：(1)The biography of Berl ioz．(2)The influence of social historical and cultural environment on its creation．(3) On the Berl ioz”mixed”evaluat ion．The second chapter embarks from the music ontology。to’Harold in Italy‘the creation background and music analysis．To the music of the four movements analysi S as the foundation，from the analysis of the general form of the layout，theme music and orchestration to parse the symphony．The third movement i s the analys i S of ”Harold in Italy”．It i s divided into three parts：(1)the concrete manifestation of“fixed music thinking‘in the four movement．(2)The musical elements of”fixed music”in each movement．(3)The meaning of”fixed music thinking”in the works． Fourth movement analysi s of“tragic；“elements in the。Harold in Italy”in the present．It is divided into three parts：(1) to explain the”tragedy”and”tragedy””．(2)In the movement of the’tragic’eiements of the presentation of the specific． (3)Analysis of the formation and thinking of”tragic”．The ⅡI 万方数据 fifth fifth chapter is about the romantic period，the romanticism of Berl ioz creation influence，that is，in the Harold in Italy ”creation manifests．It iS divided into three parts：(1)the title of romanticism and the embodiment of 1iterary creation in