北欧之春创作报告美术专业论文.docxVIP

AbstractChina Abstract China is a country with unique humanistic spirit，and Chinese landscape painting is one of the most representative cultural heritage，but also the best carrier of Chinese ancient culture．Pen and ink language is formed an important part of Chinese painting art characteristics，lofty status in the Chinese painting also hold an unshakable，however,color as ink auxiliary language is most likely to be the formal beauty of the senses，painting art and human¨common language”．The relationship between ink and color has become a difficult problem in Chinese painting．Adhering to the traditional Chinese painting and ink spirit，the integration of modem western painting color concept of creation，to create a landscape painting ink blending¨artistic conception is Chinese painting from the classical form transformation to modern form of facing an important issue．Based on this，this paper to the landscape painting creation practice，try to start from the manifestation of the Chinese landscape painting ink and color blending，through the analysis of some contemporary representative painters，a theoretical exploration of graduation creation practice，providing a theoretical guarantee for the artistic creation． I selected the Nordic Finland spring background for creativity in local cultural practices，civic life and nature as the creation of the topic， depicting a group that reveals the exotic beauty of Finland．As Chinese landscape painters have never dabbled in the subj ect，1 will abandon the traditional procedural painting and start to use the obj ect form of quality features and try to use the new drawings，new painting，the appropriate introduction of Western painting mode，highlighting the works of naturalness and simplicity resistance，to the works of more realistic and three-dimensional form．At the same time，it will use the diagram in the form of the pen to write a wide range of pictures．To the extent possible， it will play with his language，stress the traditional C