建国以来二胡音乐的初步研究-音乐学专业论文.docxVIP

内容提要本文以建国五十多年来二胡音乐的发展历程为集中研究对象，旨 内容提要 本文以建国五十多年来二胡音乐的发展历程为集中研究对象，旨 在展现在这期间各个阶段二胡音乐发展的概况及特征，探讨二胡音乐 的基本类型及其艺术特点，进而引发对二胡音乐发展的思考与展望。 本课题是二胡学科建设的一个重要组成部分，对于二胡音乐的进一步 发展有着积极的意义，对于建国以来的中国民族器乐发展的全局把握 也有切实的意义。 全文共分为三章十节，采用了调查法、文献法、比较法、分析法 等研究方法，立足于前人的研究基础，参考了前人研究的相关资料和 理论总结，从以下三个角度对建国以来的二胡音乐进行梳理和初步研 究。 第一章建国以来二胡音乐的初步研究。本章以时问为线索，对建 国以来二胡音乐的发展概况试分为三个阶段进行论述，并以相关的有 代表性的作品为例，试分析各个阶段二胡音乐的特征及发展趋势。 第二章建国以来二胡音乐的主要类型及其艺术特点。本章试将二 胡音乐分为传统乐曲、移植或改编乐曲、创作乐曲、练习曲及调式音 阶等类型，并对它们的艺术特点分别加以论述。最后足对=胡音乐创 作者群构成及他们创作特点的初步分析。 第三章关于二胡音乐的思考。通过回顾，试从_-胡音乐发展的成 功经验及欠缺之处略谈笔者的一己之见，并对二胡音乐的发展试作前 瞻性的展望。 关键词：_二胡音乐 发展历程 艺术特点继承传统创作思考 AbstractFocused Abstract Focused on the fifty—year development of Erhu music since the new China was established in 1 949，the thesis intends to make a brief introduction to its development，illustrate the characteristics in each stage， probe into its primitive types and artistic features，and therefore lead to the pondering and prospect over its progress．This subject serves as an essential part of discipline establishment of Erhu，and plays a positive role in the further development of Erhu music，and the overall understanding of folk instruments． The thesis as a whole falls into three chapters nine sections The research approaches employed are Investigation，Documentmion， Comparison，and Analysis etc．Based on the research of the predecessors， the essay tries to illustrate Erhu music for the following three aspects after referring tO relevant material and theory． Chapter One：A Preliminary Study on Erhu Music after the Establishment of New China．Discussed in 3 stages in time sequence，and assisted with typical works，this chapter tries to analyze the characteristics and tendency ofErhu music in each period． Chapter Two：Major Types of Erhu Music and Its Artistic Features after the Establishment of New China Erhu Music here iS divided into traditional music，transplanted or edited music，created music，etude and mode scale，whose artistic features are specified respectively．And the last part of this ch