接受美学观照下的翻译对话研究-翻译理论实践专业论文.docxVIP

AcknowledgmentsAt Acknowledgments At the completion of this thesis,1 would like to giVe my sincere gratitude to those who helped me to complete it in one way or another． First of all 1 would like to extend special thanks to my supervisor,Professor LU Jun，who provokes my interest in the Dialogue theory and translation studies，and who impresses me deeply by his erudition and preciseness about his research and teaching． During the writing period ofthe thesis，he offered a lot ofprecious advice On writing and revision and sacrificed his spare time to help me to improve and polish the language．I am extremely grateful for his timely help and support． Secondly,I should thank all those teachers who have ever taught me since I came into my home School of Foreign Language and Culture，Nanjing Normal Umversity seven years ago．Especially,1 would like to thank Professor Wang Juan,Sun Zhixiang and Xiao Hui．I锄deeply grateful to their enlightening instructions． I also should say thanks to some of my friends，who were kind enough to read the draft and offered encouragement雒well as useful suggestions for my writing and revision．Particular thanks are due to h Liying,Uncle Wang,Fang Fang,Su nn岛 Zhou Quan．Needless to say,these wise counselors bear 110 responsibility whatsoever for the inevitable shortcoming ofthis thesis． At last，1 would like to send my gratitude to my family—my parents，who have always been encouraging me and supporting me during my material collecting for the thesis and writing ofthe thesis．I feel SO grateful and I owe a significant debt to them． 前 前 言 一、 研究背景 西方当代以接受美学为主的接受反应文论是西方二十世纪文学与批评的重 要话语方式和批评流派，它开辟了文学理论发展的崭新道路。接受美学思想注重 人，注重人类对话和交流的理论，它给我们翻译研究提供了许多启示，也为翻译 理论提供了崭新的视角及广阔的探讨空闻。 俄国形式主义、英美新批评、语义学、结构主义和符号学的左右下的文本中 心论范式专注与探寻文学内部的本体特征，它切断了文学与社会、历史、现实生 活乃至作者、读者的一切联系，陷入了自足自律的怪圈。在这样的背景下，最需 要填充的空白就是读者研究。所以六十年代，以关注读者研究的批评理论诞生了， 文学批评到达了读者中心论范式时期的历史阶段。 接受美学理论以海德格尔、伽达默尔为代表的当代解释学为主要哲学基础， 并且一直坚持当代解释学的理论语境。在理论探索中，接受美学以不确定性的发 现而改变了文学阅读的客观意义，但它不同与结构主义对一切形而上学与逻各斯 中心主义的拆解，而总是要填充或补充处于未