哈尼族奕车支系民俗音乐研究-音乐学专业论文.docxVIP

PAGE PAGE 3 论文摘要 本文以哈尼族奕车支系民俗音乐作为研究对象，通过奕车支系民俗与音乐的“辅”“成” 相依，“定”“变”结合以及民俗音乐的社会功能等三方面进行探讨。其“辅”“成”相依， 文中通过“仰啊娜”（姑娘节）时跳的原生舞“都独嘟瑟瑟”（鼓舞），论述特定习俗与特定 舞蹈的相辅相成,体现出奕车支系古老的生殖崇拜观念；其“定”“变”结合，主要以音乐中 标识性的核心曲调（定），多变运用于各种民俗活动（变）；社会功能中以审美教育、治疗保 健、娱乐实用等功能进行论述，并运用民俗学、人类学、民族学、社会学等多学科交叉的方 法，阐述其民俗音乐在维系本民族凝聚力，形成本民族自我认同感的社会功能中显现出的独 特性与典型性。进而论述民俗以音乐为载体和表现符号，制约音乐的形成与发展；音乐以民 俗为源，服务于民俗，影响民俗的双向辅成相依关系。 关键词：奕车 民俗与音乐 “辅”与“成” “定”与“变” Abstract This paper is focus on folk music of Yiche people which is a branch of Hani minority, discussing the complement and success of Yiche music, also studying the identical and the variety of their music, and the function of their music. The complement and success, I want to discuss the special custom and the dance which the Dududusese, a original drum dance in Yang a na (a festival of girl), and the concept of ancient phallism. The identical and the variety, I want to discuss the typical core tune which variously use to kinds of folk activities. In addition, I want to discuss the aesthetic function of Zhaelabi (Guaizhandi) in the social function, through using the method of folklore studies、anthropology、ethnomusicology and sociology, furthermore, I want to illustrate that they hold together the cohesion and form self-identification of themselves which has uniqueness and typicality in social function. Besides, I want to discuss that folk custom define the formation and development of their own music which is as a supporter and expression of symbol, and, folk custom is a background of music, music service for the folk custom, they have an influence for each other. Key words: Yiche folk custom and music complement and success identical and the variety 目 录 HYPERLINK \l _bookmark0 绪 论 1 HYPERLINK \l _bookmark1 一、本选题的依据与意义 1 HYPERLINK \l _bookmark2 二、本课题的研究现状 2 HYPERLINK \l _bookmark3 三、本课题的研究方法与步骤 3 HYPERLINK \l _bookmark4 第一章 奕车支系的地理人文背景 4 HYPERLINK \l _bookmark5 第一节 奕车支系的地理背景 4 HYPERLINK \l _bookmark6 第二节 奕车支系的人文背景 5 HYPERLINK \l _bookmark7