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三、涉藏纪录片制作者需要深入藏区、体验生活、切实了解藏文化、
三、涉藏纪录片制作者需要深入藏区、体验生活、切实了解藏文化、 提高自身藏文化素养。 关键词纪录片,藏文化,跨文化传播,文化相对论
ABSTRACTThe
ABSTRACT
The documentaries on Tibet are used as communication medium for the dissemination of Tibetan culture,and play an important role in
promoting Tibetan culture and the exchanges between Tibetan culture and
other cultures.However,due to cultural differences,cultural misreading and many other factors,there is still dissatisfactory for Tibet documentary in the dissemination of Tibetan culture.This paper will make analysis on interpretation of the Tibetan cultural content of Tibet documentary since the eighties of the last centur5 and figure out the positive and negative
effects of Tibet documentary on the dissemination of Tibetan culture,SO as to propose suggestions on improve the Tibet documentary on dissemination of Tibetan culture.
It essentially reviews the course of development of Tibet documentary at home and abroad since the eighties of the last century in the first chapter,pointing out that although there were achievements and breakthrough in development in the past three decades,demerits and shortcomings also existed.The Tibet documentary in China has experienced three stages of development before it stepped into the initial period of prosperity in the eighties of the last century.In the 1 990s,it developed further in the content and started to pay attention to the living and the fate of ordinary people.“DV digital recorder’era comes in the
4
2
2 1 st Century,and ushers in the development of a new upsurge in documentary.The foreign documentaries on Tibet are geographically and psychologically impressive with the‘‘Tibet complex’’and‘‘Shangri—La’’. Some of the documentaries reflect an objective reality of Tibet’S natural landscape and cultural customs;some reflect an ideological bias and influence the conscious and judgments of the audience in Tibetan culture. This paper makes a deep specific interpretation on this issue by analyzing the documentar
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