麦家谍战影视作品研究-传播学专业毕业论文.docxVIP

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麦家谍战影视作品研究-传播学专业毕业论文.docx

II II 中文摘要 麦家谍战影视作品研究 需求的充分理解和尊重以及对观众心理节奏正确把握和情景氛围的成功营造等,有力 论证了麦家谍战影视作品的为何成功。 关键词:麦家 谍战影视剧 小说影视化 改编 作 者:沈莲莲 指导教师:倪祥保 PAGE PAGE IV 麦家谍战影视作品研究 英文摘要 ON MAIJIA SPY MOVIES AND TV DRAMA Abstract As the pioneer of the new intelligence novel,Mai Jia also has made great achievements in the movie industry,he gained both market and audience’ emblazonment.Since the spy war drama Plot was on TV,there are two Mia Jia’s spy movies and four TV dramas,in which Slightest wind and The Silent War are adapted from Mai Jia’s novels Slightest wind and Plot.In addition,the spy war drama Legend of the wind is adapted from the same novel Slightest Wind.In the spy war drama Plot,The Wind Whispers,Walking on the tip,Mai Jia is both the original author and screenwriter appear. This article selects MaiJia spy war film (drama) as the research object, starting from the contrast of novel and film,explore different styles of MaiJia spy movies and TV dramas and his novels,as well as film and television adaptations of the works and the main characteristics in the inter-literature research way, in order to reveal the truth that how MaiJia succeed.The first chapter clarifies the necessity of academic significance, as well as research methods of MaiJia’s war spy thriller (drama).The second chapter cards the development of world war spy thriller (drama) and Chinese war spy thriller (drama).In 1935,the world famous director Alfred Hitchcock suspense movie Thirty-nine Steps released,which laid a foundation for the later art spy film.With the arrival of the East-West Cold War,and the return of the century changes in the world situation, the world war spy thriller also will show a different context of age.Looking back at China,New China founded in 1949,anti-special film flourished as well.Spy film (drama)’s rheological and developments mirror Chinese society and its change history in seventy years.The third chapter starts from MaiJia’s personal experience,long military career and television screenwriters e

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