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Abstract
Luo Yin was one of the most outstanding poets in the transition period of in the end of Tang Dynasty and Wu Dai. He created 501 pieces of poetry including about 80 YongShi poems Which have been seen by us today. For both the ideological content and artistry, they achieved considerable high level in the period of that time and had characteristic style. What’s more, Luo Yin’s poems about YongShi derived from the creation experience of remote Du Fu and recent Li Shang Yin and Du Mu, etc. His poetry produced a great influence on the aesthetic choice of Song Dynasty poems and possessed a high sense of inheriting the past and ushering in the future. That we attach great importance to study Luo Yin’s poetry on Yong Shi will make us not only gasp the important parts of his whole poems but check the origin of Song Dynasty poetry. Unfortunately, being the influence of the whole degenerate conditions of Wan Tang’s poetry, the following researchers didn’t pay sufficient attention to his poems, let alone his poetry about YongShi. Form the 1980s——1990s, with the development of the literary studies of Wan Tang, the researchers have begun to attach great importance to study Luo Yin’s poetry including his YongShi poems gradually. But these studies are quite superficial and unsystematic, and it is necessary for us to do more study. So I want to do some special work at the Luo Yin’s YongShi poems. I will research his aptitudes for writing in the first and second chapter in both theme choice aspect and aesthetic style aspect so as to find out his difference from others on the elements of content and artistic style and I will go on to discuss the reasons that made his characteristic aesthetic style from the external factors such as the condition of the society and the choice of poetry in the period of that time to the internal factors of his ideas and personalities in the third chapter in order to help us gasp Luo Yin’s YongShi poetry completely, thoroughly and systematically.
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