论中国当代女性油画家作品中的主观色彩-美术专业论文.docxVIP

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论中国当代女性油画家作品中的主观色彩-美术专业论文.docx

PAGE PAGE III embodies the aesthetic and ideology of contemporary people. Subjective color usually has two main functions. It is from the aesthetic point of view, the creation of the main aesthetic conception of objective things, the second is from the artistic creation point of view, the influence on the style of the color language. The visual impact is the use of visual art, so that the viewers visual senses and influenced by the viewer, you can leave a deep impression. The Chinese contemporary female painters subjective color has obvious visual impact, and with basic colors strong to render subjective mood. See all has the obvious characteristics of a female aspects of Chinese contemporary female artists from the works of color and rhythm angle, expressive works of subjective color in another aspect of contemporary female artists are very strong, no matter is the base comparison tone color or shading are relatively clear. In the use of contemporary female Chinese oil painting subjective color, the performance of the rise of the Chinese female independent consciousness. Key words: subjective color, Chinese contemporary female painter, characteristics and connotation 目 录 摘要 ····································································································· Ⅰ Abstract ······························································································ Ⅱ 引言 ······································································································ 1 第一章 油画的主观色彩 ············································································ 2 一、主观色彩的界定 ················································································· 2 二、主观色彩的作用 ················································································· 2 三、主观色彩与客观色彩的关系 ·································································· 2 四、当代主观色彩的发展概况 ····································································· 2 第二章 中国当代女性油画家主观色彩的特点与表现 ············

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