论史铁生写作观-文艺学专业论文.docxVIP

the late literary works, the “heart and soul” has been a very high frequency words. It should be said, from the creative concept of his maturity, his writing with a clear and unique purpose and basis for his writing and therefore there was a qualitative change. Therefore, this chapter focuses on analysis of what he calls the “heart and soul” of the nature of that “heart and soul” in his later literary creation of the role and status, expounded his true and honest reflection and analysis of what he called “the impression of reality” Specific meaning. The three chapter, “Writing and Ethics” discusses Shi Tiesheng’s view about the relationship of ethics with art and literature: Art can be independent of ethics outside, but the artist will be subject to some ethical constraints; work should reflect the ethical demands of even the individual. Among them, he elaborated on the difference between dreams and reality, the individual from his inner most sexual feelings of two novels, “My Journey in Ding Yi” and “The story of Abstraction” in the investigation of the underlying ethical considerations and even the individual for The survival of contemplation. The four chapter, “Writing and form” discusses the form of Shi Tiesheng’s views about the work: agree with “significant form”; advocate forms of innovation. Describing what he agreed significant form that is the substance of the content and form is a combined, the relationship between intersubjectivity and concise analysis of his writing style in the experiment carried out consciously, mainly reflected in the two: First Fiction blurred. One example of the way in his novel that the poetic in style, prose and philosophical orientation. Second, on the narrative mode changed, and pointed out that this changed, and primarily for reference narrative maze, combined with a brief analysis of related works. Conclusion discusses the concept of Shi Tiesheng’s writing the significance of contemporary literature: In view of the unique wr