清初袁江袁耀山水界画艺术探析.pdfVIP

过查阅大量相关的文献资料，发现能找到的关于袁江袁耀的资料实在是少之又少，没有本 人著作流传下来，有关于他们的文字记载也为数不多。所以对他们生平及艺术绘画风格等 各方面的研究并没有形成系统，也缺乏应有的深度与广度。 本文以袁江袁耀的界画为主线，首先简要介绍界画发展的概况；其次论述了清代界画 发展的概况、袁江袁耀的生平概况以及对界画的继承与发展；再次，论述了袁江袁耀界画 创作的对象、艺术特色和二袁界画艺术价值的重新挖掘；最后阐述了袁耀的传派及后人画 迹钩沉。本文通过介绍清初以前工笔青绿设色山水楼阁界画的发展状况，解析袁江袁耀两 位山水大家在工笔青绿山水及楼阁界画领域取得的成就，进而管窥中国古代界画的民族文 化特质。 关键词：中国画 界画 青绿山水 艺术创作 袁江 袁耀 晋商 II Abstract Picture is a specific type of construction drawing, in traditional Chinese painting, picture in ancient times, but the picture of this unique painting until the Song Dynasty was defined. Development up to now has become an important form of Chinese classical landscape painting, and became an independent category in the history of painting. Draw circles in the audience before the show, the picture is the indispensable content of buildings, pavilions, terraces and open halls gorgeous beauty in the picture is the most incisive description, coupled with the flowers and trees on the embellishment, the picture becomes a masterpiece. Draw circles have been created, cannot do without the great achievement of our country since ancient times in the building achieved, some painters of these buildings with aesthetic at the same time, and use the expression own out of the architectural art of affection, for this great buildings such as real portray down, let this art forever in the picture, will stay in peoples minds, the existing building we maybe cant find, but artists let us on the lives of the ancients and the building can understand some research show us out of the picture. Draw circles in depicting artists enjoy the scenery, architecture as the topics to describe the object, and the architectural characteristics at the time and building associated road and traffic tools also makes a careful characterization, we are able to directly face the l