四川宋代石刻菩萨像宝冠造型分析史学毕业论文.docVIP

四川宋代石刻菩萨像宝冠造型分析史学毕业论文 目录 四川（含重庆）系宋代两大佛教石刻造像发达区域之一 四川宋代石刻菩萨像的调查研究是伴随整体佛教造像进行的 四川宋代石刻菩萨像一概头戴宝冠，宝冠主体则为植物纹样 四川宋代菩萨像及宝冠佛像 1. 茎叶互用型卷草纹宝冠 2. 茎蔓添叶型卷草纹宝冠 （1） 菩萨像茎蔓添叶型卷草纹宝冠 （2）宝冠佛像之茎蔓添叶型卷草纹宝冠 二 牡丹纹宝冠 1. 写实型牡丹纹宝冠 2. 装饰型牡丹纹宝冠 3. 介于写实与装饰之间的牡丹纹宝冠 45）[10]图13，83 三 菩萨像宝冠形体 四川宋代菩萨像宝冠形体复杂多变，总体上经历了由多样到统一的过程 四川宋代菩萨像宝冠可明显地分为两个阶段 正文 摘要：内容：本稿以实地调查与学界披露的相关资料为基础，比较详细地分析了四川宋代石刻菩萨像宝冠造型，存在卷草纹与牡丹纹两类宝冠，北宋晚期至南宋晚期获得长足发展。卷草纹宝冠上承唐、五代传统，在吸收宋代世俗卷草纹因素后继续发展。牡丹纹宝冠为菩萨像 内容摘要：本稿以实地调查与学界披露的相关资料为基础，比较详细地分析了四川宋代石刻菩萨像宝冠造型，存在卷草纹与牡丹纹两类宝冠，北宋晚期至南宋晚期获得长足发展。卷草纹宝冠上承唐、五代传统，在吸收宋代世俗卷草纹因素后继续发展。牡丹纹宝冠为菩萨像造型的创举，是宋人酷爱牡丹及牡丹栽培中心南移四川的产物。北宋晚期至南宋早期，这两类宝冠的造型灵活多变，尤其绍兴年间（1131-1162）彰显新时代创造力。南宋中晚期，这两类宝冠的造型繁缛细密达到极致。四川宋代石刻菩萨像宝冠造型演化，深刻地反映了佛教艺术民俗化、地域化的过程。 关键字：四川宋代菩萨像；卷草纹宝冠；牡丹纹宝冠 中图分类号：K877.49 文献标识码：A 文章编号：1000-4106（2014）02-0040-13 An Analysis of the Coronet Modeling of the Song Dynasty Stone Bodhisattvas in Sichuan QI Qingyuan （Academy of Art Design， Tsinghua Univeity， Beijing 100084） Abstract： Based on field investigation and published materials， this paper presents a detailed analysis of the coronets of Song dynasty stone bodhisattvas in Sichuan province and comes to the following conclusio： coronets with patter of coiled floral and peony were highly developed from late Northern Song to late Southern Song dynasty. Inheriting the traditio of the Tang and Five Dynasties and absorbing the elements of secular coiled floral desig in the Song dynasty， the coronets with coiled floral desig were further developed； coronets with peony desig were a creation for Bodhisattva images because the peonies were very popular among the Song dynasty people and the center of peony cultivation moved to Sichuan. From the late Northern Song to early Southern Song dynasty， the two kinds of coronets were flexible in design， especially in the Shaoxing era （1131-1162） during the Southern Song dynasty， which showed the creativity of that time. In late Southern Song dynasty， the patter of these two types reached their perfection. The evolution of the coronets of Song