宋代江西琴乐研究.pdfVIP

摘 要 古琴是中国历史悠久，最具民族精神和审美情趣的传统乐器，宋代则是中国 古琴艺术发展史上的一个鼎盛时期。在当时的江西人才辈出，其中涌现出许多善 琴的文人，因此江西古琴呈现出空前的盛况，与当时的京师琴派、浙江琴派鼎足 而立。 宋代江西古琴的发展与宋代的社会环境及人文背景密不可分，本文选取了欧 阳修、朱熹等几位文人为主要研究对象，从琴事，琴曲，琴论这几个方面进行分 析，旨在对江西琴人琴乐发展进行归纳及梳理。 本文共分为五个部分,首先对宋代江西古琴的发展脉络进行梳理，归纳出宋 代以前江西古琴发展的四大阶段，分别是萌芽、初步发展、趋于成熟阶段、基本 成熟阶段。第二部分是对宋代江西古琴的代表文人琴家进行基本概述，对他们的 琴曲、琴事、琴论几个方面进行多角度的分析。第三部分是通过对第二部分的研 究，总结出宋代江西古琴的特点，它的地域分布特点、阶层特点、音乐特点以及 美学特点。第四部分是对相应的特点进行分析，自然地理环境，社会背景以及人 文环境都会对其产生影响，士阶层的兴起以及士文化与古琴之间相辅相成的关系 都是影响美学特点的主要原因。最后探讨宋代江西古琴产生的横向与纵向的影 响，希冀能够对江西古琴艺术的研究有所裨益，对更好的继承和发展江西古琴音 乐文化事业有所帮助，这即是文本的意义所在。 关键词：宋代；江西琴乐；特点成因 I Abstract Guqin is a traditional musical instrument with a long history and the most national spirit and aesthetic taste in China. At that time, there were a lot of talented peoplein Jiangxi,amongwhichthereweremany scholarswhoweregood at Guqin. The development of Jiangxi Guqin in the Song Dynasty is closely related to the social environment and the cultural background of the Song Dynasty. This paper selects several scholarswho are good at Guqin, such as Ouyang Xiu,Huang Tingjian, Chongde Jun, Kong Wuzhong, Zhu Xi, Wen Tianxiang and Jiang Kui, and makes a detailed study of their Qin players and events, this paper makes a research on Qin MusicandQintheory. This paper is divided into five parts. First of all, the development of Jiangxi Guqin in the Song Dynasty, summedup the development of the three major stages of Jiangxi Guqin, respectively, germination, initial development, mature stage. The secondpart isthe SongDynasty Jiangxi Guqin on behalf oftheLiterati Qin playersto carry out a basic overview of their music, events, Qin theory and several aspects of a multi-angle analysis.Thethirdpart isthrough tothe secondpart research, summarizes the Song Dynasty Jiangxi Guqin Characteristic, its region characteristic, the stra