管风琴拾音方式探究——以国家大剧院管风琴为例.pdf

摘要 管风琴是一种体积庞大，功能繁多，内部结构及制作工艺都极为复杂的一件 古老乐器，有着 “乐器之王”的美誉。但因为其体积庞大、受众面较小，且其作 为主流乐器最鼎盛的巴洛克时期并没有出现录音技术，而当 19 世纪末，录音技 术被发明出来时，管风琴早已不像当初一般流行。虽然在近些年，国内外都出版 了不少管风琴的录音作品，但依然缺乏系统、全面地介绍有关管风琴拾音方式的 资料。 国家大剧院是中国表演艺术的最高殿堂，其音乐厅中的管风琴被誉为“镇厅 之宝”，不仅其外形与整个音乐厅的装修布局相得益彰，在实际功能用途上也能 承担高水准的演奏任务。 本篇论文先阐述了管风琴的发展历史，介绍了管风琴的结构，之后通过对国 家大剧院音乐厅管风琴的录音实践，详细记录了录音前期的构思、录音时话筒的 位置、录音中所需注意的问题以及后期制作中的种种细节，通过实地考察、实际 录制和后期制作等这些实践，分析并研究出一种针对目前剧院管风琴而言，较为 科学、合适的拾音方法。并且通过主观评价的方法，对比此种录音方式与国外相 同曲目听感上的不同与优劣，验证了以此种拾音方法前期拾音并后期制作出来的 成品，能够符合大众的听觉审美，可以作为成功案例为国内日后的管风琴录音提 供思路、参考和一定的指导作用。 关键词：管风琴，录音技术，拾音方式，国家大剧院音乐厅 Abstract The pipe organ is an ancient musical instrument with a large volume, many functions, extremely complicated internal structure and manufacturing technology. It has the reputation of the king of musical instruments.The pipe organ was the most popular instrument during the baroque period when recording technology did not appear.When the recording technology was invented at the end of the 19th century, the organ was not as popular as it was because it was too large and not known by many people.Although in recent years, many pipe organ recordings have been published at home and abroad, but there is still a lack of systematic and comprehensive information on organ recording methods. National Centre for the Performing Arts is the palace of Chinese performing arts. The pipe organ in its concert hall is known as the Treasure of the Hall. Not only does its shape match the decoration of the entire concert hall, it can also be played with high level performance tasks in practical functions. This paper first explains the development history of the pipe organ and introduces the structure of it. Then, through the recording practice of the pipe organ of the National Centre for the Performing Arts Concert Hall, this paper shows the idea of the early stage of recording, the posi