花样年华论文英文版.docxVIP

Abstract：Film and television programs often use a variety of artistic language to express the theme and the psychology of the characters, amog these ways of expression, the art of color is an essential element. In the Roland BarthessSemiotics, color is regarded as a symbol, an ideographic symbol. In the film and television works, color is an imagery way to perform the characters internal emotions, evoke sentiment and to render the atmosphere. This paper relies on the theory color indicate the inner feelings, analyses as the heroines clothing color changes in the film in the mood for love, the delicate psychology changes. At the same time, we raise a point of view that the changing dress color and the dim color of screen draw a bright contrast, color change of cheongsam in the backdrop of grey set is more expressive, and metaphor is more obvious. The color change shows the change of psychology and emotions, indirect rather than direct deepen the theme. Dim color of screen, relieve against the subject. Make the movie theme more subtle. Key words: movie in the mood for love color psychological changes cheongsam 摘要：影视作品通常通过多种艺术语言来表现其主题和人物心理，色彩艺术 就是一个必不可少的元素。在罗兰· 巴特的符号学里，色彩被看成是一个符号， 一个表意的符号。在影视作品中，色彩是表现人物内心情感，唤起情绪、渲染气 氛的形象化手段。 本文就是从色彩表现人物内心情感入手， 分析电影《花样年华》 中，女主角服饰色彩变化表现出的微妙的心理变化， 同时提出了不断变化的旗袍 颜色与暗淡的画面色调形成了鲜明的对比， 在灰暗色调的映衬下旗袍的色彩变化 更加具有了表现力， 隐喻作用更加明显。 色彩的变化显现了人物心理的变化、 情 感的变化，间接的而不是直接的深化了主题。暗淡的画面色调，映衬了主题。使 得影片的主题表现更加含蓄朦胧。 关键词： 电影 花样年华 色彩 心理变化 旗袍 1. Introduction In this boundless world which is riotous with color, the rising sun in the east, the bright moonlight, the vast expense of the blue sea, the green fields, the golden wheat, and the colorful dress give people the enjoyment of beauty. We are especially impressed by Karwai Wong ’s movie which is called in the mood for love, where the heroin is always wearing a gorgeous dress. Our team members notice that the director Karwai Wong made a great effort in changing the heroines clothing color, aiming at expression the charact