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- 约4.38万字
- 约 36页
- 2021-02-17 发布于江苏
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摘 要
济宁地区不仅是中国儒家文化的发祥地,同样也滋生和孕育了大量的汉代
石刻书法。随着近年来考古发现的增多,东汉时期除之前发现的刻石之外,又有
一些墨迹遗存和民间刻石文字遗存被发现,东汉任城王墓黄肠题凑刻石就是民间
刻石文字遗存中规模较大,并且具有鲜明特点的一种。本文在研究任城王墓黄肠
题凑刻石的书法艺术中,力求对其书法风格进行全面探究,并结合济宁地区不同
时期,不同形制的其他汉代石刻书法来与其进行比较研究,突出任城王墓黄肠题
凑刻石在济宁地区汉碑中的独特的书法风格艺术表现。东汉任城王墓黄肠题凑刻
石作为民间石刻书法的典型代表,它以宏大的建造规模及大量黄肠题凑刻石,展
现出了当时民间石刻艺人群体的高超的凿刻技艺及对其书法艺术的审美表达,并
推动了民间石刻书法风格在中国书法史上的发展。任城王墓黄肠题凑刻石充分体
现了两汉时期民间石刻书法艺术的天真烂漫又淳朴简约的特点,因此本文也将针
对其所表现出的民间书法的美学价值及其影响进行深一步的探究,以求为我们的
书法学习和创作提供现实的借鉴意义。
关键词:东汉;任城王墓;黄肠题凑刻石;通俗隶书;民间书法
Ⅰ
Abstract
The Jining area is not only the birthplace of Chinese Confucian culture, but also
breeds and bred a large number of Han Dynasty stone carving calligraphy. With the
increase of archaeological discoveries in recent years, in addition to the engraved
stones discovered in the Eastern Han Dynasty, some ink remains and folk remains of
stone carvings were discovered. The tomb of the Yellow Emperor in the Tomb of the
Eastern Han Dynasty was a folk engraved stone. A large-scale, one with distinctive
features. In this paper, I study the calligraphy art of Rencheng Wang’s tomb and
engraved stone, and strive to conduct a comprehensive exploration of his calligraphy
style, and compare it with other Han Dynasty stone carving calligraphy in different
periods in Jining area to highlight Rencheng. The tomb of the Yellow Tomb of the
Tomb of the King is a unique artistic value in the Hanbei area of Jining. The tomb of
the Yellow Emperor in the Tomb of the Eastern Han Dynasty is a typical
representative of the folk stone carving calligraphy. It is a large-scale construction
scale and a large numb
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