歌唱艺术中的情感体验与表现-以《漫步街上》与《火焰在燃烧》作品对比为例.docxVIP

PAGE PAGE 15 歌唱艺术中的情感体验与表现 --以《漫步街上》与《火焰在燃烧》作品对比为例 摘 要 16世纪末，（正）歌剧诞生于意大利佛罗伦萨的一个由文学艺术家组成的社会团体“卡梅拉塔”之中，当时一些作家、艺术家、音乐家以及倾向于人文主义的知识分子，经常在佛罗伦萨巴尔迪伯爵的公众聚会，讨论艺术理论问题，并热衷于恢复古希腊戏剧，力图创造出能将诗歌、戏剧与伴奏紧密结合的艺术，歌剧也就由此产生了，这是巴洛克时期最重要的音乐事件之一。 意大利正歌剧通常采用希腊神话故事和历史英雄传说为体裁进行创作，主要包含声乐与器乐两大部分，其中声乐演唱包括独唱、重唱、对唱、合唱等形式。独唱中用得最多的是咏叹调和宣叙调。所谓咏叹调：就是书法角色内心情感时富于歌唱性的唱段。而宣叙调则是在叙述剧情是接近朗诵说话方式的唱段。 其中，威尔第和普契尼为意大利歌剧重要的代表人物。 本次论文以同一时期，不同风格的两首歌曲进行对比分析，并对意大利歌剧艺术进行深入探究，了解他们如何把词曲和伴奏体现出来的情感来带动歌唱者，同时也了解他们创作的歌曲中人物特征的塑造和情感表现。 关键词：歌剧；情感表现；情感体现 Emotional experience and expression in singing art Abstract At the end of the 16th century, opera was born in the Carmelata , a social group of literary artists in Florence, Italy, when writers, artists, musicians, and humanist intellectuals often met in the public of Count Baldi, Florence, to discuss artistic theory and to respond to ancient Greek drama in an attempt to create art that combined poetry, drama and music, which was one of the most important musical events of the Baroque period. The Italian opera is usually composed of Greek mythology and historical legend It mainly includes two parts: vocal music and instrumental music, among which vocal music singing includes solo, recital, duet and chorus. One of the most used solos is aria and recital. The so-called aria: is the calligraphy character when the inner emotion is rich in singing. The narrative is in the narrative plot is close to the way the recitation of the singing. Among them, Verdi and Puccini are important representatives of Italian opera. In this paper, two songs of the same period and different styles are compared and analyzed, and the Italian opera art is deeply explored to understand how they drive the singers with the emotion embodied in the song and accompaniment at the same time also understand the characterization and emotional expression of the characters in their songs. Key words: opera；emotional expression；emotional expressio 目 录 TOC \o 1-2 \h \u 摘要 I Abstract II 一、 绪 论 1