摄影大师布列松学构图秘籍.docVIP

摄影大师布列松学构图秘籍 影大师布列松学构图 “构图”一词源于拉丁语，其本来意思为结构、组成或联结，而在摄影中则是指画面 的安排，确定画面内各个组成部分的相互关系，以便最终构成一个统一的画面整体。这也就 是摄影者为了表达思想内容而创造的整个造型结构，其中包括光与影，线条与色调等造型要 素的组合。 in plaque; four people into housing estates such as temperature in the shed beside a pile of dead leaves. At this point, running footsteps village people, down with Japan devil, dare it! to avenge dead! Red shasheng, slogan, roar of the bullet, grenade explosions were heard. After about half an hour after the gunfire stopped, came the sound of boots trampling the enemy, flogged, inmates issued a cry of pain. At this time, 5, 6 the devil entered the Department a few people hiding the mansion, kicked open the shed door, suddenly a beam of light came in, I saw the Devil with a bayoneted gun, that pile of dry leaves dump to the corner stamp. The scene, hiding behind that plaque, Xie Chengji was seen clearly, see the danger he issued blimey shrieks, which fell from behind the plaque. Sheds and tossing the Devils heard the cry, they rushed onto the Hall, Xie was stabbing with bayonets, Xie Chengji was blood like a fountain, and herring. When the second batch of Devils come in, a look at the Windows and doors wide open, lay corpses in the House, only a perfunctory look at, left in a hurry. Xies tragic death, but Wen Yongzhi, 4 people had been saved. That day, the farmers in the village virtually gone, leaving behind several people could not bear to share in the family business. In that bloody battle, the village more than more than 40 villagers were innocent of killing, Qiu surname, Wang Jia village north a peasant 在长期的摄影实践中，他锻炼出了一双极其敏锐的眼睛，以至于他拍出的照片常常带有信手拈来的风格，但却都是深思熟虑的结构协调的作品。有趣的是，他的大部分作品都是用50mm的标准镜头拍摄的，而极少用35mm或135mm等镜头拍摄。在摄影构图方面，布勒松有许多精辟的见解。1952年，他在《决定性的瞬间》—文中指出构图法则分享给大家。迄今最负盛名的摄影构图大师，法国著名摄影家亨利.卡蒂埃—布勒松。 建立形式关系 一幅照片，要把题材尽量强烈地表达出来的话，必须严格地建立起形式之间的联系。摄影隐含有辨识功能，就是把真实事物世界的节奏辨识出来。眼晴的工作，就是在大堆现实事物中，找出特定的主体，聚焦其上。照相机的任务，只不过是把眼睛所作的决定记录在胶卷上而己。正如对绘画作品一样，对待摄影作品，我们也是将它当作整体来观看和感受的，而这个整体，我们只须一瞥便可把握。在摄影作品中，构图实际上就是眼睛所见到的不同元素的同时组合和有机组织的结果。由