论 “屈、颤”在藏族舞蹈中的运用(.pdfVIP

“屈、颤”在藏族舞蹈作品中的文化内涵···················· ·········4 3.1 民族文化内涵·················· ·············· ········4 3.2 宗教文化内涵··················· ············· ·········5 3.3 民俗文化内涵··················· ············· ········5 4. 藏族舞蹈“屈、颤”体态的艺术魅力········ ·············· ·······6 4.1 体态动律具有独特性·············· ··············· ·····6 4.2 体态内涵具有文化性··········· ·················· ······6 4.3 体态形式具有民族性·········· ··················· ····7 5.结束语················· ················· ············ ·7 参考文献··············· ··················· ···············8 1 致谢语·················· ················· ··················8 2 论 “屈、颤”在藏族舞蹈中的运用 摘 要: 藏族文化是我国少数民族文化中较为独特的一种文化类型，具有一定的宗教文化色彩。由于我国藏族 人民生活在青藏高原等高原地区，受环境和地理位置影响，使藏族舞蹈具有非常特殊的民族特征，包 括“屈、颤”等独有的舞蹈动作体态，组成了藏族舞蹈的基本形象。藏族舞蹈中的“屈、颤”是组成 藏族舞蹈体系的重要内容，同时也是代表藏族舞蹈动作的标志之一，而西藏独特的民族文化，让人们 通过舞蹈了解西藏独特的民族文化。使藏族舞蹈的魅力更加源远流长，内涵博大精深。 关键词: “屈、颤”;藏族舞蹈;文化内涵 On the application of Qu and Zhan in Tibetan dance ABSTRACT ： Tibetan culture is a unique cultural type in the minority culture of our country, which has certain religious cultural color. Because the Tibetan people in China live in the plateau areas such as the Qinghai Tibet Plateau, influenced by the environment and geographical location, Tibetan dance has very special national characteristics, including the unique dance movements such as Qu, Zhan, which constitute the basic image of Tibetan dance. The knee movement in Tibetan dance is an important part of the Tibetan Dance system, and also one of the symbols of Tibetan dance. Let people understand the unique ethnic culture of Tibet through dancing. So that the charm of Tibetan dance more long-standing, broad and profound connotation. Key Words: Qu, Zhan; Tibetan dance; Cultural connotation 3 引言 藏族舞蹈中的“无屈不成动，欲动必先屈”这种动律特征体现在舞蹈的表演风格中，形 成了非常独特的藏族舞蹈