远见者 Visionaries (2010)完整中英文台词剧本.docxVIP

远见者 Visionaries (2010)完整中英文台词剧本.docx

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远见者 Visionaries (2010)完整中英文台词剧本 My name is Jonas. I came from far away and I ended up here talking about cinema. But I dont really know what cinema is. Cinema is constantly expanding, branching out into new forms. The language is growing and changing and what we one day consider this is it, next day somebody else comes in and pushes cinema into another direction so we are all at the beginning. This is The Bridge in New York, one of several small theaters around the country where underground films are shown, and their devotees range from serious students of cinematography to the societys swingers of the jet set. One of the most publicized of the underground films is Sleep by pop artist Andy Warhol: six and a half hours of a man sleeping. Andy, Why is it youre making these films? Well its just easier to do, its easier to do than painting. Well because the camera has a motor and you just turn it on and you just walk away and it just takes all by itself. I screened most of Andys films. At first they like are perplexed then like get angry. Why is this continued because they feel they got everything that there is. Because they consider there is nothing much. Then as time goes and those who stay, those who remain, they begin to relax and the images, they begin to work on them in time. Its a movie, so were trained pretty much to think that we ought to get it, and if you dont get it, you feel like youre like stupid, you feel like maybe other people around you do get it, and until you start to get it or until you know that nobody got it, theres that kind of discomfort. You have to be more patient, you have to be more thoughtful, you have to challenge yourself, even your own values sometimes, which is not easy. We are used to things, I think, especially in this day and age with television and commercials and mainstream media and Hollywood blockbusters where our minds arent used to going there, to going that

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