“平远法”对我创作的影响--以郭熙《树色平远图》为例.pdfVIP

山东师范大学硕士学位论文

目录

摘要··············································································································I

Abstract·········································································································II

绪论··········································································································1

第一节研究目的及意义···············································································1

第二节课题研究的现状···············································································2

一、关于“平远法”的概念理论研究·······················································2

二、关于“平远法”所蕴含的精神意蕴研究················································2

三、关于“平远法”技法运用方面的研究···················································3

第三节研究内容及方法···············································································3

一、研究内容······················································································3

二、研究方法·······················································································4

三、研究的创新点·················································································4

第一章山水画“平远法”的概述········································································5

第一节“平远法”的溯源与延伸···································································5

一、林泉之心的感悟方式········································································7

二、“四可”的意境空间······································································10

三、身即山川地观照自然······································································11

第二节“平远法”在山水画中的发展意义与价值············································12

第二章郭熙《树色平远图》“平远法”的运用分析··············································15

第一节山色有无中──构图体现的冲澹萧疏··················································16