数字环境下的视频艺术研究.pdfVIP

论文摘要 伴随着科技的发展与进步，视频艺术这一产生于 20 世纪 60 年代、成熟于 90年代的新艺术形式，在以数码为媒介、网络为平台的大环境下发生着日新月 异的变化。 据此，本文主要就以下三方面进行探讨： 一是针对国内对于视频艺术概念认识不清、使用混乱的问题进行分析，详 细地论述其中英文概念，并与其他相类似的艺术形式如影像艺术、电视节目、 电影艺术、行为艺术等进行比较分析，从而达到明确视频艺术概念的目的。 二是总结视频艺术产生、发展的规律。本文以阐述社会环境、技术发展、 审美态度等背景因素为落脚点，通过分析白南准、比尔•维奥拉、马修•巴尼等 代表人物的创作作品，重点挖掘视频艺术在主题、形式等方面的发展规律与内 在逻辑，试图理清西方视频艺术发展的脉络，为研究探索视频艺术的未来发展 奠定坚实的基础。 三是针对当今由电视、电影等传统媒体传达信息的方式正逐渐演变成为以 数字技术传达信息方式的这种现象，探索视频艺术将如何在现有技术下进行自 身的创新与发展、如何与新兴的科学技术相结合、如何只利用数字技术进行创 作等相关问题。本文尝试将尖端科技与先锋艺术相结合，期望探索出新的视频 艺术空间与新的视频艺术表达方式。 关键词：数字环境；视频艺术；概念界定；未来发展 Abstract With the development and progress of science and technology, Video Art, a new genus of art that came into existence during the 1960s and was gradually developed in the 1990s, has been flourishing with the help of digital media and Internet in todays global environment. This article mainly discusses three aspects: 1. Concepts in the study of Video Art. In order to eliminate misunderstanding and confusions the definition of Video Art, the relevant concepts (both in Chinese and English) are going to be interpreted in detail, and compared with other types of art, e.g. visual art, television program, film art, performance art, etc. 2. Summary of the emergence and development of Video Art. The article tries to clarify how Video Art was developed in western countries, and discusses the progression of its developments in theme and form, so that a solid foundation is laid for studying and exploring the future development of Video Art. This is done by analyzing the careers and works of some key person in this field, such as Num June Paik, Bill Viola, Matthew Barney, etc., taking into account the factors like social environment, technology development, aesthetic attitude, etc. 3. How to f