《等待戈多》中的支离破碎.pdfVIP

中文摘要 塞缪尔·贝克特是二十世纪戏剧史上最重要的剧作家之一，由于他的一系 列的具有新奇形式的小说、戏剧作品，他获得了1969 年的诺贝尔文学奖。《等待 戈多》作为贝克特的代表作，使得刚刚经受了第二次世界大战的人们在舞台上看 到了自己生活的世界和自己的缩影。支离破碎是贝克特小说、戏剧中反复出现的 主题，在《等待戈多》中表现得尤其充分。 论文分为引言、正文和结论三部分。 在引言部分，概括了 《等待戈多》在世界戏剧史上所产生的举足轻重的作 用，《等待戈多》在世界各地引起的反响以及批评家、剧作家、读者和观众对《等 待戈多》所做出的反应。 正文分五章。第一章对贝克特本人以及剧本的背景进行讨论。从第二章开 始到第五章分别从亚里士多德描述的情节、人物、语言以及其他戏剧组成部分进 行分析讨论。贝克特以自己独特的方式通过破碎的情节、人物、语言、场景以及 音乐表现了《等待戈多》中所反映的人类支离破碎的生存状态。 结论部分指出了《等待戈多》中所表现的支离破碎的主题是贝克特对之前 作品的继续，又在之后的作品中得以发展，在贝克特整个创作生涯中起到了承上 启下的作用。这个主题不仅在当时的社会历史背景中，即使在现在也同样有着深 远的意义。 3 Abstract Samuel Beckett, the 1969 Nobel laureate in literature, became famous and well-known more because of his Waiting for Godot than any of his other works. The play took the world by storm as Beckett put his vision of the human condition after WWII on stage. Among many other themes, the theme of fragmentation is expressed throughout the play via many aspects, fragmented plot, fragmented character, fragmented language and fragmented setting and song. The Introduction gives a brief view on Waiting for Godot and its significance in the 20th century world drama history. Chapter One talks about the background of Beckett, the author; the play, and some other literary works that Beckett wrote to express the idea of fragmentation and his other ideas. Two aspects of reason accounted for the success of Beckett: one is the era, and the other is Beckett’s own genius. Chapter Two concentrates on the fragmented plot of Waiting for Godot, and how Beckett used fragmented plot to embody the theme of fragmentation. Beckett did not intend to tell a story but to give the readers and spectators a static plot which has no beginning, no suspense, and no end at all. Chapter Three talks