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East Asia (2007) 24:349–363
DOI 10.1007/s12140-007-9028-6
Japan’s Quest for “Soft Power”: Attraction
and Limitation
Peng Er Lam
Received: 15 May 2007 / Accepted: 10 September 2007 /Published online: 27 October 2007
# Springer Science + Business Media B.V. 2007
Abstract Japan is seeking to project its “soft power” through the allure of manga
and anime in its public diplomacy. The production, diffusion and global
consumption of manga and anime are driven by market forces and consumer tastes
and not by the Japanese state. However, the latter is seeking to harness this popular
culture to burnish Tokyo’s international image. Despite the attractiveness of Japanese
pop culture and other more traditional forms of public diplomacy, Tokyo ’s pursuit of
“soft power” and a good international image is undermined by its failure to
overcome its burden of history.
Keywords Anime . Cultural diplomacy .Manga . Public diplomacy . Soft power
Japan still has an image problem in East Asia today-sometimes as a country lacking
in remorse for its past militarism and other times as a predatory and protectionist
“economic animal”. However, the country has recently acquired a new “hip and
cool” benign image which co-exists uneasily rather than supersedes the negative
images of the past. Indeed, there is a bifurcation in the attitudes of East Asia toward
Japan. On the one hand, East Asians especially Chinese and Koreans view
negatively Japanese war atrocities, Prime Minister ’s visits to Yasukuni Shrine and
the Abe Administration ’s prevarication over the “comfort women” issue. On the
other, East Asian consumers have embraced things Japanese such as sushi, karaoke,
rock garden, zen-inspired architecture, J-pop (popular music), J-fashion, electronic
gizmos and games (Sony PlayStation 3 and Nintendo), television
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