西方音乐中的噪音音乐.pdfVIP

内容摘要 噪音音乐是一种兴起于20 世纪初、值得我们关注的现代音乐。本文通过对西 方音乐艺术中噪音-噪音乐器的历史性梳理和总结，从文化、社会、科技等一系 列视角出发，以“噪音音乐”为研究对象，探究其对现代音乐影响及其价值。 全文第一章从噪音-噪音乐器的历史回顾入手，朔本求源，探究噪音-噪音乐 器在西方各时期的运用及发展；第二章从民族音乐学、先锋派音乐、现代生活科 技等多方面展开论述，为噪音音乐的最终形成提供坚实的理论依据；第三章归纳 噪音到噪音音乐的发展脉络，从意大利未来主义思潮入手，对其发起人普拉泰拉 和代表人物鲁梭罗进行介绍，阐述未来主义思潮与噪音音乐之间的关系，分析瓦 雷兹的《电离》和赖克的《击掌音乐》这两部经典噪音音乐作品，论述噪音音乐 的特点及现实意义。通过以上三部分的论述，在结语中给予噪音音乐客观公正的 评价，并且肯定它在音乐历史中的价值及重要性。 关键字：噪音音乐、噪音乐器、未来主义思潮、民族音乐学、先锋派音乐 Abstract Noise music is one modern music, it rose in early twentieth Century and deserves our attention. This paper summarizes and carding the noise and musical Instruments in western music art from the perspective of cultural, social, science and technology with noise music as the research object, study the influence and value for modern music. The first chapter review the noise and noise music, trace to the source , study its use and development of each different period in western. The second chapter discuss from the folk music, avant-garde music, many aspects of modern life science and technology, that provide a theoretical basis for the final formation of noise the music.the third chapter induce the development from noise to noise music, starting from the Italy futurism ideological trend, the sponsor of Pla Tara and representative Rusoro are introduced, expounding the relationship between futurism ideological trend and noise music,analysis of ionization of Thales andclapping music of Riker, which are the classical music works, the characteristics of noise music and the practical significance is disscussed. Through the above three parts, objective and faire valuation of noise music in the conclusion is showed, an