南方山水——试论五代江西绘画的崛起和影响.pdfVIP

摘要 摘要 五代中国画重要的发展标志是水墨山水成了画坛主流，并且形成了以地方 特色南北分流的局面，出现了荆关、董巨四大画家，而南方山水的代表画家董 源、巨然皆为江西人。标志着江西地方绘画的崛起，显示了江西绘画在中国画 坛的重要地位。“董巨”对以后中国画坛主流风格特色的形成产生了深远影响。 以五代南北山水而言，总体趋势是南胜于北而渐居主流的过程。作为南方山水 画风格的代表，“董巨”山水画风格在山水画史上的崛起与影响，是这个趋势发 展的重要体现。“董巨”由五代宋初的默默无闻，到两宋时期地位日益提高，直 至元末最终成为山水画坛的宗师。因此，我们在探讨“董巨”山水画崛起的同 时，可窥探当时士人们的审美态势和中国社会文化的走向。而董源温润的画风 也特别投合儒雅之士的精神状态，因而江南画风也笼罩了元明清三代的画坛主 流。 我们纵观五代南北山水，可知对后世的影响则是南胜于北。然而，董源为 什么会有这么大的影响，其山水画风格特征以及美感意义何在。这是很值得研 究以及有待开拓的阐释的领域，我们绝不能停止在前人的描述和无法盖定的评 论术语之中。我们要在进一步完善的过程中加强自身的学术能力，将江西绘画 在五代崛起以及对后世的评价和影响作出更深入的系统性的归纳、总结。因此 有继续研究的意义。 关键词：“董巨”；江西；南方山水；崛起；影响 I Abstract ABSTRACT The five generation of Chinese painting an important development is the mainstream of Chinese ink landscape painting, and formed with local characteristics and distribution situation, the Jing Guan, Dong Jusi painter, and the landscape of the South representative painter Dong Yuan, Ju ran all the people in Jiangxi. Jiangxi marked the rise of local painting, showing the Jiangxi painting has an important position in Chinese painting. Had a profound influence on the formation of Dong Ju after the Chinese painting style of the mainstream. On the five generation of northern and southern landscape, the overall trend is the South than the north begins to mainstream. As the representative of the southern landscape painting style, Dong Ju landscape painting style rise and influence in landscape painting history, is an important manifestation of this trend of development. Dong Ju by the Five Dynasties and song of unknown to the public, to the position of the two Song period is increasing day by day, until at the end of the yuan will eventually become the master of landscape painting. Therefore, when we discuss th