本科论文《升方壶》的创作及评析-艺术设计本科毕业生毕业论文.doc

2016届艺术设计本科毕业生毕业论文 课题名称：《升方壶》的创作及评析 学生姓名：张欢 指导教师： 江南大学网络教育学院 2016年10月 摘要：自明朝正德以来的五百年间，中国文人与宜兴历代砂器制作高手合作，将雕刻、镶嵌、书画等多种工艺美术手段用于砂壶，制作出典雅精美的沏茶名壶，为世界各大博物馆所收藏，成为中华一大瑰宝。近年来，紫砂作为居室饰物，不仅具实用功能，且满足了家居的装饰需求，因而受到越来越多人的喜爱。 关键词：升方壶 创作构思 市场行情 目 录 导 语·················································································4 一、选题来源···········································································4 二、创作构思···········································································4 三、制作过程···········································································5 四、装饰方法···········································································5 五、烧成方法···········································································5 六、展示方法···········································································5 七、市场潜能···········································································6 结 论·················································································6 参考文献···············································································6 致 谢·················································································6 《升方壶》的创作及评析 导 语 宜兴紫砂起源于宋代，兴盛于明清，至今仍保持良好的发展势头，名家辈出，明清时期由于文人士大夫的参与，使小小的紫砂壶蕴含了丰富的文化内涵，从实用器上升到艺术品和吉祥物，深受广大收藏爱好者的青睐。宜兴的茶文化在紫砂文化中有着主要的位置，或者说紫砂文化中，茶文化是不可或缺的篇章。我国是茶的故乡，饮茶历史悠久，唐代陆羽《茶经》中记载“茶之为饮，发乎神农氏，闻于鲁周公”。 紫砂茗壶质地朴实，素面素心，稳健地走自己砂土之路，容不得任何俗艳，从不艳羡光彩夺目华贵，以其固有的素朴美质，立诸艺之林。人们在泡茶的实践中，总结砂壶的优越性，不断地改进它的结构，使之尽善尽美，适合于泡茶、茗品、赏壶、最终成为雅俗共赏、大小适宜的最佳茶具。历代文人士大夫对宜兴紫砂壶情有独钟，砂壶质地古朴淳厚，不媚不俗，与文人气质十分相投，壶式古朴风雅、得幽远之趣，成为深爱笃好的寄情之物，甚至迷意忘情。宜兴紫砂壶就是这样，在文人雅士、达官贵人、巨子富贾以及广大品茗君子的摩挲呵护追索度藏中，日臻完美，发扬光大，得以长盛不衰的发展。 一、选题来源 宜兴紫砂壶生产始于北宋，盛于明清，是我国独特的陶瓷工艺品。素以制作技艺精湛，造型丰富多彩，色泽古雅淳朴而著称于世。紫砂陶的设计、制作依靠天然原料的特性，采用泥片镶接手工成型手法，造型浑厚，饱满又朴质，加上本身所具有的装饰性，及形体的变化和仿自然物体形象所采用堆、雕、捏、塑和镶嵌金银丝等装饰，达到美的意境，产生强烈的艺术感染力。紫砂是一种民间传统文化，因而就紫砂的创作而言，既是传承也是开拓，两者缺一不可，离开了传承也就离开了特性，没有了开拓也就缺乏了活力。品茶需要茶具。起于宋兴于明的紫砂壶逐渐受人青睐。紫砂壶原产宜兴，属陶，比之瓷器，更具古风。