柴可夫斯基《G大调钢琴奏鸣曲》作品分析及其悲情主义元素解析.pdf

西安音乐学院 硕士学位论文 柴可夫斯基《G大调钢琴奏鸣曲》作品分析及其悲情主义元素解 析 姓名：丁伟 申请学位级别：硕士 专业：钢琴演奏 指导教师：伊娜亚达娃·古丽契合尔 西安音乐学院硕士论文 Abstract 摘 要 伟大的俄罗斯现实主义作曲家柴科夫斯基于 1878 年创作了这首《G 大调钢琴奏鸣 曲》，在创作中他使用丰富的俄罗斯民歌曲调，结合大量乐队写作手法将钢琴作品乐队 化，同时巧妙、缜密的设计和布局了作品的结构，使作品气势恢宏且富有一气呵成之感。 结合柴可夫斯基当时所处的社会历史背景，文化历史背景，和作曲家本人的生活经历， 与其很多作品相似，柴可夫斯基在这首《G 大调钢琴奏鸣曲中》依然渗入了大量发自他 内心的“悲情主义”色彩，使作品内涵厚重、富有寓意。虽然作品可能不为大多人所熟 知，但是对钢琴理论、演奏和教学来说却有着极其重要的地位，是不容忽视的。 本论文将从该作品的创作背景、作品分析及作品中所蕴含的“悲情主义”因素等方 面入手，用理论分析的方法来证明《G 大调钢琴奏鸣曲》的重要性及其地位，通过论证 更加明确作曲家的创作意图，从而更准确的把握作品风格，有助于实际演奏。 关键词：柴可夫斯基；钢琴；奏鸣曲；作品分析；媚俗；悲情主义 西安音乐学院硕士论文 Abstract Abstract The Grand Sonata in G Major was composed by Great Russian realism composer Peter ilich Tchaikovsky in 1878. In this work, abundant folk songs in Russia was used. And he combined lots of technique about orchestration in this piano work. The musical form was layout designed , meticulously and precisely by composer at the same time. Meanwhile, this work is very baronial and united.Compared with other works of Tchaikovsky in his social background, cultural background and the composers life experience, these works are really similar to other works. As a reasult, this work is full of large of intension and moral. Perhaps it is unkown to all,but it is very important for the play, theories and teaching of piano. This article obtained from the Background, Works theory and the Kitsch factor. Using the methods of the theory to show how important the work is and quite explicit about composer’s intentions. The purpose of this article is to grasp the styles of the pla