中西传统绘画空间表现中的“色彩比较”.pdfVIP

p斗 EOifl:11CALKESEARCH 中西传统绘画空间 表现中的色彩比较 Color Comparison in the Spatial Articulation of Traditional Chinese and 矶Test，ern Painting 董雨莹 Dong Yuy i ng 摘 .:中国传统绘画空间表现侧重于以虚实关系来处 leaving and the gradation of ink; while in traditional Westem painting , thesle relations are presented through the contrast 理空间，这涉及到留白、墨分五色等问题;西方传统绘画空 between light ~lDd shade, and between w缸m and cold colors. In 间的特点则是用明暗、冷暖关系等来表现。无论是中国的墨 fact, both the g;radation of ink and warm-cold color ∞n位ast 缸e 色，还是西方的明暗冷暖， 都是色彩的问题。通过色 about colors. lhrough color comparison. it c四 be seen 也at the 彩比较的研究，可以看出中国传统绘画的空间表现是受天 spatial relatioru. in 缸aditional Chinese painting are uintentionally developed color relations formed due to the influence of the 人合一 传神论 u意象论 和中国传统书法艺术影响而 nature-man unity theory, the vivid conveying of spirit theory, 形成的一种 有意识的墨色 the imagery theory and traditional Chinese c alligraphy art; 则是在理性精神、 模仿说和古希腊雕刻艺术影响下形成 while the spatiial relations in 位aditional Westem painting 缸e Trinitarian ωlor relations formed under the influence of the 的三位一体的色彩关系。 rational spirit, imitation theory. 血d the sculpture art of ancient 美.诩:中西传统绘画;绘画空间表现; 色彩比较 Greek. Abstract : In位aditional Chinese painting, spatial relations Key words: Traditional Chinese and Westem painting ; are always presented by the change of colors, including blank- spatial articulation ofpainting; color comparison 在中西传统绘画空间表现特点的研究中， 有这样几种观