寒雀啼晓——从传统写意花鸟画的审美意境谈起.pdfVIP

摘 要 摘 要 艺术来源于生活而高于生活，这是当下的艺术家们所普遍认同的一个观点。 中国画作为一门有着千年历史的艺术，其根植的土壤正是华夏文明的本体。 中国传统绘画博大精深，渊远流长，各朝代绘画都呈现出时代的个性与独特 的绘画面貌。作为写意花鸟画学科，自宋元以后开始形成并发展。我的寒雀啼晓 系列创作学习并借鉴元代写意花鸟画的气息，笔墨方面借鉴了清后期写意花鸟画 中的笔墨精华。以传统的绘画气息和传统的笔墨做依托，以自己在自然中的目识 心记的素材为形象本体进行创作。在我的创作过程中追求以现代构成形式作主导， 研究写意花鸟画的新气象。传统与现代的结合是我创作中探索的难题，在参考大 量资料和欣赏历代中国画精品后，力图以我的新的笔墨形式表现自然状态下的生 命特性。 关键词 写意花鸟画；意境；风物情怀 - I - 万方数据 哈尔滨师范大学硕士学位论文 Abstract Art comes from life and higher than life, this is the artists have accepted a view. Chinese painting as a door has a one thousand - year history of art, the grounding soil is the ontology of Chinese civilization. Chinese traditional painting is both broad and profound, deep is far stream long, each dynasty painting presents the age of personality and unique painting face. As the sketching-ideas discipline, since song yuan dynasty later start formation and development. My cold finches ululate xiao series creative learning and reference to the yuan dynasty sketching-ideas breath, pen and ink aspects lessons from the late qing dynasty in the sketching-ideas and essence. The traditional painting breath and traditional pen and ink is done rely on, in their own eyes in nature, general heart remember material for image ontology carries on the creation. In my creative process the pursuit of modern constitution form as the leading factor, study the sketching-ideas new look. The combination of traditional and modern is my creation of exploring the