浅析水彩画中的形式美.pdfVIP

artistic effect. This paper will explore in the works of the perfect present formal beauty. Calls for the creator of the works in watercolor while the formal beauty into the picture to adjust plus watercolor grasp of the language, formed a kind of new art. The painting should be able to look at ourselves again, find suits own artistic form and used to express their ideas and aesthetic orientation. Keywords:Art language, aesthetic,characteristics, Keywords: art language, aesthetic characteristics, structure ,creativity 目录 第一章 引言······················································1 第二章 美的内容和形式 ············································2 一、形式与内容··················································2 二、形式与形式美················································2 第三章 水彩画中的形式语言 ········································3 （一）水彩画的构图··············································3 （二）点、线、面的构成··········································4 （三）组合的关系形式············································4 1.单纯齐一·····················································4 2.对称与均衡···················································4 3.多样与统一···················································5 4.调合与对比···················································5 5. 比例与尺度···················································5 6.节奏与韵律···················································6 第四章 水彩画中形式美的体现 ·······································7 结论 ······························································9 参考文献 ·························································10 浅析水彩画中的形式美 第一章 引言 美国现当代学家乔治·桑诺耶纳说过：“假如雅典娜的神殿巴特农不是大理 石筑成，王冠不是黄金制造，星星没有发光，它们将是平淡无力的东西。而当这 些自然物质材质遵循美的法则进行组合排列时，就加强了它们的形式美，因此给 人们的美感就更为强烈。”[1] 在当代的水彩研究中，无论是从作品的横向审美视角还是从纵向理论研究方 面看，画家往往注重水彩画的技法应用，用不同的水彩语言来丰富画面，给人以 视觉感