浓情厚意中的静穆——从中国传统绘画看重彩语言的自律性.pdfVIP

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浓情厚意中的静穆——从中国传统绘画看重彩语言的自律性.pdf

浓情厚意中的静穆——从中国传统绘画看重彩语言的自律性论文

在现当代这一嘈杂、浮躁的社会背景下,我们更需要这种能够净化人们心 灵,能够让人内心平静的艺术作品。作为中国传统绘画精神中的精髓,我们应该 将其发扬广大,为当代重彩绘画以及色彩语言的发展、研究与探索开辟一块更为 广阔的空间。 关键词:静穆感 中国传统重彩绘画 重彩语言 自律性 中国画色彩 III ABSTRACT It was the flower of the arts and cultural metaphor, because art is part of the culture, or culture, she is a special carrier, a special form. Traditional Chinese painting in the background of traditional Chinese culture growing up. Produced in the Chinese nation, whether local Confucian thought still has from the Western Regions of Buddhist thought, a long time, as a faith and values affect the development of Chinese culture and art. Starting from the Spring and Autumn Period, China appeared to Confucius,Kongmeng, Xun Zi, represented by Confucianism, with Guanzi, Hanfeizi represented Legalism to Mozi Mohist represented doctrine, toSunzi, represented from the military doctrine, Laozi and Zhuangzi as well as Taoism, represented by the

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