论当代油画风景创作的诗性表达.pdfVIP

摘要 摘 要 20 世纪初油画进入中国以来，就面临一个问题；如何将油画民族化的问题， 怎样把油画与我们本土文化融合并得到发展的问题。早期的先辈画家们在学习、 研究、借鉴西方油画的同时。也走了不少弯路，但画家们前赴后继的努力专研， 学习值得肯定。尤其是西方具有诗性意趣的风景油画受到中国画家们的偏爱和 赞赏，这是值得我们注意的现象。 本论文从传统文化中关于诗性的概念、精神内涵，分析现当代油画风景创 作中具有历史感的观点，以及联系西方和国内画家们在诗性表达方面所做的成 就，研究他们的绘画作品，从而为自己的油画风景创作找到理论和实践依据。 并通过五个章节阐述关于当代油画风景中诗性的形成因素、特征、表现手法等 等，尤其重点放在最后一章介绍自己的创作体会和对诗性的理解上，始终把握 好主线，在创作实践中认真地研究和思考。论证当代油画风景创作中具有诗性 化的趋向，从而继承中国传统文化精神，具有重要的意义。 关键词：文化； 诗性 ；理论研究；当代油画风景 II 万方数据 Abstract ABSTRACT Since oil painting into China in the early 20th century, is facing a problem; How the oil painting nationalization of the problem, how to put the oil painting and the development of our native culture fusion and get the problem. Early ancestors painters in study, research and reference of western oil painting at the same time. Also left a lot of detours, but painters devoted efforts to study, learn positive. Interest and especially in the west has a poetic landscape paintings by Chinese artists preference and appreciation, this phenomenon is worth our attention. This paper from the traditional culture of the poetic concept, connotation, analysis contemporary oil painting scenery creation has the history point of view, and contact western and domestic artists of achievements in the field of poetic expression, study their paintings, for his oil painting scenery creation found on