从空间语义透视《风雅颂》精神游荡的叙事话语(Perspective of narrative discourse truth of wandering spirit from the spatial semantics).docVIP
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从空间语义透视《风雅颂》精神游荡的叙事话语(Perspective of narrative discourse truth of wandering spirit from the spatial semantics)
从空间语义透视《风雅颂》精神游荡的叙事话语(Perspective of narrative discourse truth of wandering spirit from the spatial semantics)
Abstract: This paper mainly expounds Yan Lianke portrayed in the Fengya song hero of the Yang spirit of science wandering this narrative discourse from the narrative discourse and Visual Basic
Angle, a simple analysis of Fengya song in Yan Liankes speech and attitude in color, and then from the spatial semantics, the spirit of wandering this narrative discourse further explanation.
Key words: spatial semantics; narrative discourse; spiritual wandering
We know that narrative discourse usually refers to a conceptual form and attitude and view of the object of expression, similar to the observation position of visual art, that is, observing the object of expression
From the point of view, after setting up his own observation position, and then using his words to express the narrative voice, it implies the way the speaker adopts the content and the posture and tone of the reader.
Yan Liankes Fengya song in narrative discourse gives us an example of a visual perspective. As we can see, even though the narrators remain silent and do not commit themselves, they do not
Conspicuous, not involved, but he still establishes an observation place for us. He is in the novel, at home, on the road, on the street, in the hotel...... Keep setting us up for him
Own perspective. Yan Lianke once said, I am not an intellectual, but I am weak, pompous and worship power. I rarely undertake to dodge the catastrophe I have fallen into, and shirk my responsibilities.
To clients and those type of thieves in life with a sense of awe. I know the people I know, my friends, and the learned intellectuals
Compared to their shortcomings, I have, they do not have shortcomings, I also have. In terms of spirit, my life situation is roughly similar to that of Yang, facing the world and facing society,
Facing the country and facing love, Yangs family is in a state of compromise and cowardice. I al
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