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浅析中国现代艺术设计现状_从自然辩证法的基本原理分析现代艺术设计(Chinese of modern art design _ status analysis of modern art design from the basic principle of Dialectics of nature).doc

浅析中国现代艺术设计现状_从自然辩证法的基本原理分析现代艺术设计(Chinese of modern art design _ status analysis of modern art design from the basic principle of Dialectics of nature).doc

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浅析中国现代艺术设计现状_从自然辩证法的基本原理分析现代艺术设计(Chinese of modern art design _ status analysis of modern art design from the basic principle of Dialectics of nature)

浅析中国现代艺术设计现状_从自然辩证法的基本原理分析现代艺术设计(Chinese of modern art design _ status analysis of modern art design from the basic principle of Dialectics of nature) China of modern art design _ status from the basic principle of Dialectics of nature of modern art design.Txt I degradation, I still cant swim, to know before I was born, I was absolutely the fastest swimming in the 88 Xi 2010.1 teachings on [voice] Xi Abstract: along with the people to improve the design requirements, the design had to face a very serious problem: Design in the future? We may use a variety of principle of Dialectics of nature to look at this issue, how can the natural dialectical principle to design innovation, and service for more people, is worthy of our attention and discussion. Key words: modern art design; natural dialectics; innovation with the development of design, from the basic principle of Dialectics of nature, Chinese modern design due to the impact of the international modern design, there are shortcomings and problems, how to see the nature of these problems, how from natural dialectics perspective to understand these problems, and to solve them in the conditions permit, we need to pay attention to is the key. First, from the Joseph Needham paradox to see the importance of design theory, design education theory 1. defects of modern design nowadays many universities and colleges of Arts and education have appeared in such phenomenon: the importance of design practice, contempt design theory; pay attention to design results, but do not pay attention to the reasons, this is called knowing but not the why. Many designers familiar, they are able to create very representative works, because of their historical background gives them many experiences and cultural foundation, in their works, we can see the development of the whole process of design history. Therefore, without theory as the foundation stone, it is very difficult for us to create works of far-reaching significance and value. 2., t

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