拍照时,光圈设置技巧（Aperture setting technique when taking photos）.docVIP

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拍照时,光圈设置技巧（Aperture setting technique when taking photos）.doc

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拍照时,光圈设置技巧（Aperture setting technique when taking photos）

拍照时,光圈设置技巧（Aperture setting technique when taking photos） The technique of setting aperture when taking pictures - the twelve rule of photography The sunny 16 rule. The basic principle for shooting in daylight bright, uniform lighting scenes, with aperture of F16, shutter speed by the reciprocal sensitivity index, such as aperture F16, sensitivity is ISO100, the shutter speed can choose 1/100 seconds. On this basis, if you shoot on the beach, you can narrow the aperture to F22, and if you have cloudy weather, you can enlarge the aperture to F11, and so on. The moon is 11, 8 and 5.6. This is an out of the ordinary law, it is effective only in shooting the moon: the moon circle is F11 times higher than the reciprocal, the shutter speed sensitivity index of the moon; when the shutter speed is constant, but the aperture to F8; if only the crescent moon, then select the f5.6 aperture at the same shutter speed. 3 machine shake rule. The minimum safe shutter speed for a hand-held camera is the inverse of the focus of the camera used, and the shutter may cause sharpness of the photograph to fall below this shutter speed. For example, using 50mm lenses, shutter speed should be higher than 1/60 seconds, and if the scene is not enough illumination, you can use flash, three tripod, or let the camera with some fixed object to solve. The gray card law. During the shoot, the use of 18% light gray card is the best way to get a uniform and accurate exposure photos, even if you forgot the gray card also never mind, you can reach out to let it face the light source, light gauge meter or inside machine light, with a photometric value increase by 1 level exposure to the basic (various skin tones may have a little deviation causes the photometric accuracy). The depth of field rules. When focusing on a distant object, usually the depth of field in front of the subject is 2 times longer than the length behind the object. In other words, the subject is usually in the latter 1/3 of the depth