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2014 59
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2015.06.07 -2015.07.12
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Chen Jie: Oh no!
Song Yi
Checking a mobile phone has become a subconscious action. It is natural to have misgivings
about this; habitual behavior can silence spiritual awareness. Chen Jie uses offhand
thoughts and perceptions as the foundation for his sketches. He opened an account on
Weibo specifically for this project, which combines images, inscriptions, narrative, and
critique. Since 2014, he has posted 59 times. Work in this exhibition collage tales of the
supernatural and anecdotes from the web. Text from Weibo, including friends’ comments, is
derisive and jocular.
A wall in the first exhibition space contains only a line of keywords handwritten by the artist.
Viewers can scan QR codes to the bottom-right of the keywords to view the paintings and
related texts. In the gallery space, the effect of a crowd of people with their faces buried in
their phones, like on a subway or elevator, is particularly striking. The works are unveiled in a
second space, where they are stacked sheet by sheet on a table. At the opening, some
viewers shot and uploaded photos of people looking at the works.
Engaging in a common unconscious habit, viewers of the exhibition are led into
consummating a spectacle that comprises all of their actions. The preposterousness of
watching a gallery audience transformed into actors on a stage makes for an immersive work.
If these people feel any misgivings about silencing their awareness of life in their phones, it’s
a fluke – they would not dare face this sense of the unbearable, preferring to live for the sake
of living. To put this spectacle on disp
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