论绘画构成（On the formation of painting）.doc

论绘画构成（On the formation of painting） On the picture frame: In the system of oil painting four years of university study, I gradually understand and master some knowledge of painting techniques. In learning the knowledge from teachers but also extensive reading books and read the famous paintings, and summarizes some experience, I talk about this picture of the structure of some opinions and views, such as the inadequacies also hope the teacher to be! The picture frame is generally divided into three parts: 1, mental framework (i.e. thought framework) 2, 3 color graphics architecture, architecture. The relationship between them is complementary, promote each other to achieve harmony and unity. First, from the spirit of architecture, with the painter or convey the thoughts and spirit connotation, some noble, some joy, some sad, some indifferent and detached. For example, the Renaissance and early religious paintings, often have a kind of lofty strength inside, because it has to be the theme and the mission decided to build its spiritual framework! The art of painting depends largely on race, environment, age three, they decided that the painting frame form. In Michelangelos paintings we can see what he wanted to express the love that he shares the courage to struggle, we see in Schillers painting is a form of twisted struggle! In the theocratic era, God is peoples noble beliefs, Jesus is the peoples spiritual guide, people believe in God, worship, hoping to get salvation, go to heaven after death. In the practice of past life in exchange for the peace of the next, in the hope of God faith. In Michelangelos Genesis, Szentpeter cross, the last judgment is not difficult to see that peoples religious complex. And as the smoke four times in the flames of war, and the French town of Guernica by German artillery fire attack, loss of life, well-being of the original town became a victim of the war, people in the fire died in misery, displaced. It all happened in Picassos eyes,