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二胡学习者容易出现的问题(Erhu learners are prone to problems)
二胡学习者容易出现的问题(Erhu learners are prone to problems)
Erhu learners are prone to problems
Beginners in learning the process of erhu, often prone to some deviations. If these problems can not be corrected in a timely manner, will seriously affect the learners to raise the level of performance, and even make learning erhu work not completed below I will write out, they drew attention to the erhu learners.
First, the erhu player in sitting posture prone to problems, mainly in the following points:
1, the body midline left oblique, so that the center of gravity fell to the left side of the human body. 2, two shoulder height difference, usually left shoulder height, right shoulder low.
3, over the left foot, or even left foot completely suspended from the ground. 4, too low, so that the audience can only see the top of the players heart.
Two, the erhu players bow in the area of easy problems, mainly in the following points:
1, bow position too close to bow head or too close to the middle bow. 2, inside the bow too deeply into the bottom of the bow strangled in the jaws, not flexible movement. 3, holding the bow, fingers too down, droop, so that the bow bar tight pressure cylinder, friction, bow hair but left the harp upward offset. 4, when the outer string playing, middle finger and ring finger out from the bow and the bow hair, to play again when the string is extended in. 5 、 the position of the thumb is incorrect when holding the bow. 6, the middle finger when holding the bow into the bow and the bow hair too, making it both inside and outside with nothing. 7, hold the bow tight, resulting in the first finger and thumb first, and the first joint medial lateral joint grind a thick calluses, some people mistakenly think that this is Kung Fu, which is actually the bow methods mistake.
Three, the erhu player in holding the piano and fingers are prone to problems, mainly in the following points:
1, the chest incorrectly placed in the middle of the left leg, rather than on the
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