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好莱坞“机械人”形象分析-image analysis of hollywood robots
中文摘要Donna Jeanne Haraway(哈乐薇)在其专文《人机宣言》(A Cyborg Manifesto)中提 到,“由动物至机器,乃至于人文与自然领域,我们都可以在许多电影中看到相关的人机一 体的组合与叙事情节”,好莱坞电影在逐年对这种人机一体的组合与叙事情节展示中逐渐勾 勒出一种全新的“机械人”形象,无论是从科技哲学议题还是影像发生机制上,一部分文本 研究的介入,使得影像环境中的 cyborg 研究开始解构传统人文主体的二分法,而业已形成 的“后人类”观点不仅为“机械人”形象这一概念提供了身份参考,而且也揭示出了其概念 本身与图像技术的天然联系。本文将考察含有“机械人”形象的好莱坞电影年表,明确涉及其中的“形象”说法、影 像研究与类型电影理论,将好莱坞电影与之匹配的场景异化和美学转变特征,视为受到“身 体化社会”理论关照的人类种群的悲情想象,最后,对于形象研究可能涉及的国别电影“符 号”,文章思考了相关跨文化研究的视角和方法。关键词:“机械人”形象:好莱坞:形象研究IAbstractDonna Jeanne Haraway in the article man-machine declaration said, from the animal to the machine, and even in the humanities and natural field, we can see that the combination and narrative related to the human one in many movies, the Hollywood film in the year by year to the man-machine integration in combination with a narrative plot shows gradually draws the outline of a new cyborg image, whatever is happening mechanism from the philosophy of science and technology issues or image, a part of textual research, makes the cyborg image environment in the beginning of the deconstruction of the traditional humanism dichotomy, and has formed the human point of view not only for the concept of cyborg image provides identity reference, but also reveals the natural link between the concept and image technology.This paper will examine the chronology of Hollywood film containing cyborg image, which clearly relates to the image argument, image studies and gene theory, the Hollywood film is matched with the scene of alienation and aesthetics transition characteristics, considered to be the body of society theory of human population of care to imagine, at last, for the national film image studies may be related to the symbol, the article about the perspective and methods related to cross-cultural research.Key Words:cyborg: Hollywood: image researchII目录中文摘要............................................................ IAbstract........................................................... II目录.........................................
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