近现代画家闲章举要——以齐白石 黄宾虹 潘天寿 傅抱石为例-essentials of idle chapters for modern painters - a case study of qi baishi, huang binhong, pan tianshou and fu baoshi.docxVIP

目录绪论······························································11.闲章艺术的发展··················································21.1简述闲章发展的源流·············································21.2近现代画家闲章述要··············································32.闲章的功能·······················································32.1记述生活境遇····················································32.2体现性格理想····················································52.3概括人生追求····················································62.4表达个人情感····················································83.闲章中的艺术创作理论·············································93.1品格与修养······················································93.2心性与自然·····················································114．闲章与画风的关系················································134.1齐白石的画风与闲章·············································134.2黄宾虹的画风与闲章·············································144.3潘天寿的画风与闲章·············································154.4傅抱石的画风与闲章·············································17结语······························································19参考文献··························································20III绪论闲章艺术与绘画创作关系紧密，在作品中起着丰富画面的内容和平衡布局的作用。在创作实践中合理的使用闲章，首先要对闲章的发展和功能认识清晰，理解创作中用印所追求的精神意义。文人用印的选择有着深层次的文化内涵值得分析与总结。闲章的内容与画面风格的关系也是创作时需要仔细斟酌的细节。本文通过整理近现代杰出的国画家齐白石、黄宾虹、潘天寿、傅抱石的闲章作品，从例证中总结印章创作是如何与绘画相结合的。以举例论证的方式通过查阅几位画家的个人生平传记、画家绘画作品集、画论文章、题画诗集、印谱等资料，将绘画与印章分类总结加以分析。最后论证出闲章创作体现画家个人境遇、性格爱好、人生理想和艺术追求，是文人表达创作思想的一种方式。闲章是画家创作精神的高度概括。11．闲章艺术的发展1.1简述闲章发展的源流闲章艺术起源于秦汉印章中的吉语印。在内容上有图案印、文字印。秦汉文字印包括官印和私印。秦统一后的官印，其特点是有四字和两字的印章并且有“田”和“日”的界格；秦代私印和四字吉语印如“中精外诚”(图1.1)、两字吉语印如“敬事”（图1.2）。汉代官印主要有四字官印如“军司马印”①、多字官印如“广汉大将军章”②；私印如“王强私印”、吉语印（图1.3）、私印多字印，汉代鸟虫书③为内容的鸟虫印（图1.4）、图1.1烙马印④、肖形印（图1.5）等等。印章起初与绘画并无关联，随着社会文化的发展，印章内容得到不断丰富充实。逐渐由功能性质向一种艺术形式过渡，宋以后文人的介入使得创作主体的文化层次更高，与书法、绘画有了更多的联系。经过慢长的传承与积累，中国画有了诗、书、画、印相互融合的创作形式，在题款用印上，名章和闲章的合理使用关系着作品的完整性，闲章内容越来越丰富。元代赵孟頫始开文人治印的风气，而后的百年之间，文人奏刀成为一种社会风尚。由于文人群体自身具有着工匠所很难具有的深厚的文化修养，印章艺术与诗文书画等艺术形式的融合更加顺理图1.2成章，闲章艺术发展为更富有雅趣更能体现文人画